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Ylivieska Church

K2S Architects Ltd. Ylivieska, Finland

  • Name of work in English

    Ylivieska Church

  • Name of work in original language

    Pyhän Kolminaisuuden kirkko

  • Prize year

    EUmies Awards 2024

  • Work Location

    Ylivieska, Finland

  • Studio

    K2S Architects Ltd

EUmies Awards 2024 Nominees

  • Exterior

    Exterior

    © Tuomas Uusheimo

  • Interior - Church hall

    Interior - Church hall

    © Tuomas Uusheimo

  • The simple and powerful masses as well as the calm and unassuming facades make the new church and bell tower a distinctive landmark.

    The simple and powerful masses as well as the calm and unassuming facades make the new church and bell tower a distinctive landmark.

    © Tuomas Uusheimo

  • Geometry - The building mass is divided into three parts with gabled roofs

    Geometry - The building mass is divided into three parts with gabled roofs

    © Tuomas Uusheimo

  • Detail photo of the door handle - human touch

    Detail photo of the door handle - human touch

    © Tuomas Uusheimo

  • Site plan 1:1000

    Site plan 1:1000

  • Plan 1. floor 1:400

    Plan 1. floor 1:400

  • Plan 2. floor 1:400

    Plan 2. floor 1:400

  • Section 1:400

    Section 1:400

  • Section 1:400

    Section 1:400

  • Site plan 1:5000

    Site plan 1:5000

  • Scale model

    Scale model

  • Scale model

    Scale model

  • A2 Panel

    A2 Panel

The old church of Ylivieska tragically burned down in 2016. K2S won the open competition for the new church in 2017. The new church of Ylivieska forms a landmark and is divided into three parts – the church hall, the vestry, and the lobby. The entrance is beveled diagonally, forming an entry plaza together with the war graves and the ruins of the old church.

Authors

Kimmo Lintula, Niko Sirola, Mikko Summanen,

Collaborators

Engineering: Granlund Oy; Engineering: Insinööritoimisto J.Koivusaari Ky, Jaakko Koivusaari; Structural engineering: A-insinöörit Oy; Structural engineering: Koparak Oy, Ismo Kovalainen; Electrical: Granlund Oy; Electrical: Granlund Oy, Tanja Silvennoinen; Electrical: Sweco Talotekniikka Oy, Jarmo Hintsala; Construction: Työyhteenliittymä Kotikirkonrakentajat; Project management: Vison Oy: Eero Moilanen; Others: Specialists: Sari Koskelo, Vison Oy, Tiina Ärväs-Tuominen, Akukon Oy, Paloässät Oy, Hannu Koskela, Toivo Ali-Runkka; Construction: General foreman: Timo Piippo, Kaarron Rakennus Oy Mikko Kaarto, Rave Rakennus Oy Antti Rantala, Are Oy Matti Lesell, HSK-Sähkö, Hannu Kauppi; Architect: K2S Architects Ltd: Mari Ollila, Matti Wäre, Matias Manninen, Iiro Virta, Anna Suominen; Project architect: K2S Architects Ltd: Sasu Marila
  • Program

    Religion

  • Labels

    Church

  • Site area

    30000 m²

  • Client

    The Parish of Ylivieska

  • Total gross floor

    1530 m²

  • Completion

    2021

The form of the new church is a continuum of the Finnish church building tradition, taking past to future. The archetypical form and the brick walls manifest stability and belonging to traditional medieval churches. The composition formed by rectangles and triangles is as a link to the tradition of wooden churches and the burned church of the site. The three gables of the old cruciform church have been re-composed to correspond to the mutual hierarchy of the interior of the new church. The dominant is the worship hall, Domus Dei, to which the lobby and parish hall, Domus Eklesia, merge. Interior wood brings warmth to the atmosphere of the space. The symmetrical form of the church hall is being shaped by indirect light from the skylight. Contemporary architecture and building tradition are equally present also in the interior of the church.

The new church composed of rectangles and triangles has a capacity of 5 gathering spaces with 450 – 700 people all together depending on the purpose of a gathering and event. As the form of the church has been borrows from the past, the spatial arrangement reaches towards the future of the modern church architecture. A lobby with a glass wall, a high hall and an adjacent parish hall form a unity with natural light, materials, and details. The entrance is located next to the war graves. The interior space has white ceilings, wood and brick walls. The floor is polished concrete. You enter the worship hall via an intermediate space – a soft, dark space into a spacious landscape. The source of the light is not visible one just feels the light. Wood is present as well in the pews, pulpit, and altar. The finishing is timeless, the details thoroughly considered. The sound shapes the space. The cladding allows sound pass through and bounce back. The space has reverberation equivalent to historical cathedrals.Engage community included workshops, groundbreaking and cutting the trees, volunteers crafting the brass crosses outside and timber crucifix. It became everyone`s “my church”.

The construction and materials follow simple and utilitarian tradition of building with timber in a solid and polyvalent way. With set lifespan of minimum 200 years all the structures are of massive and singular material being capable of performing multiple ways like load bearing, acoustics, and insulation. Glulam girders hold up the massive cross laminated roof panels. The ground walls are of massive brick blocks allowing naturally controlled diffuse movement of air and moist. The outer most visible layer is brick allowing easy maintenance and resilient protection against harsh northern climate. The warm, sand colored rustic bricks of the facades are from local brick factory. Brick as a material, connects to early Christian basilicas. The grouting on protects the surface, hides the joints, and creates a feel of solidity. The building services are part of the architecture. A special feature is assisted natural ventilation in the worship hall. The air enters the space from the ducts beneath the floor and exits from the holes in the cross that have been left in the arrangement of the bricks in the western gable. The church breathes through the cross.


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