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Yacht Club of l'Estartit

OAB - Carles Ferrater - Gerardo Rodríguez. L'Estartit, Spain

  • Name of work in English

    Yacht Club of l'Estartit

  • Name of work in original language

    Club Nàutic l'Estartit

  • Prize year

    EUmies Awards 1992

  • Work Location

    L'Estartit, Spain

  • Studio

    OAB - Carles Ferrater - Gerardo Rodríguez

EUmies Awards 1992 Shortlisted

  • © Lluis Casals

  • © Lluis Casals

  • aerial view

    aerial view

    © Lluis Casals

  • © Lluis Casals

  • © Lluis Casals

Situated in front of the Medas Islands, an area renowned for its rich and beautiful underwater wildlife, the harbor enjoys extensive mooring facilities for recreation and sports craft, making it a key departure point for sea journeys. It is also the home port of a small fishing fleet.

Authors

Carles Ferrater, Gerardo Rodríguez,

Collaborators

Collaborator (office): Juan D
  • Program

    Sport & Leisure

  • Labels

    Sailing

  • Client

    Clun Nàutic Estartit

  • Total gross floor

    1000 m²

  • Completion

    1991

The building integrates with the urban context by means of its radial layout and with the harbor by using a balance between solids and voids. In this setting, confronting the sea, the building appears at the edge of a platform which is used for parking, ending and separating it from the moorings, while simultaneously opening up towards the harbor. The building, placed at the corner of this platform, is organised into two pavilions which create a pedestrian walk along the waterside. Of these two pavilions, the main one, which has a triangular plan and houses the club's offices, halls, small nautical library and bar, is oriented to the southwest and faces the mornings. It is organised longitudinally and houses the different services related to yachting. Both pavilions have an independent roof, pitched towards the land so that when combined with the layout of their respective plans of differing dimensions, a clear contrast is this duality, at the intersection of both volumes. To reinforce this duality, at the intersection of both elements appears a perforating or void which, acting as a large window, selects the sea views seen from Passeig Maritim.

This empty space becomes the open atrium of the club, the place which articulates the two bodies. This prismatic space has a visual vanishing point at each angle: the main access to the social area, the direct route to the moorings, and the perforation which communicates with the plant room, changing rooms, and services areas. This space, slightly raised above the level of the harbour, is finished with a stone paving, with longitudinal incisions which help to confer it the character of a public building, as well as allowing the performance of sports acts, organising sailing races, award ceremonies for sailing, diving and swimming, as well as other events derived from the club dynamics. The whole complex is built on a podium which presents its inhabitable parts as protruding from it. Under the podium a concrete hull which rests on the foundations at the water table level forms a series of accessible underground chambers which house the networks of cables, ducting and piping.

The podium is finished in the same travertine stone used in the rest of the internal and external paving. The buildings set enclosures, using a rebate in the horizontal grouting to reinforce the horizontality of the scheme. These façades contain a series of details necessary for the correct ventilation, details which highlight, scour and break the eastern and western planes. The carpentry and lightweight structures, made in stainless steel, will try to weather comfortably the climatic conditions. These elements acquire the character of the buildings’ boat fittings. The wooden elements, in marine plywood and iroko, provide a warmth characteristic of nautical settings both inside and outside. The metallic roof cladding, with a special rust white finish, makes a clear contribution to the building’s integration with the context. The rest of the elements which appear, such as pavements, internal finishes or even the furniture itself, contribute to outline the ambiguity between the land and the sea.


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