Archive

Void House

Gon Zifroni. Brussels, Belgium

  • Name of work in English

    Void House

  • Name of work in original language

    Void House

  • Prize year

    EUmies Awards 2011

  • Work Location

    Brussels, Belgium

  • Studio

    Gon Zifroni

EUmies Awards 2011 Nominees

  • Concrete Floor

    Concrete Floor

    © filip dujardin

  • Semi-Public Garden

    Semi-Public Garden

    © filip dujardin

  • Elevation

    Elevation

    © filip dujardin

  • Skylight and Volume

    Skylight and Volume

    © filip dujardin

  • Inside/Outside

    Inside/Outside

    © filip dujardin

  • Wall-Free Space

    Wall-Free Space

    © filip dujardin

  • Plan

    Plan

  • Section

    Section

Authors

Gon Zifroni, Christophe Stembert,

  • Program

    Single house

  • Completion

    2009

Excerpts from an article written by Eric Troussicot for A10: "The designer Gon Zifroni recently completed his first architectural project. Built on a vacant plot, the new house dispenses with a ground floor in favour of a prolongation of the public space underneath the house, thus creating a semipublic culdesac accessible from the street." (...) "The project's second tour de force is that the entire volume (just 114m2 floor surface) can be experienced from any point of the house. This design choice, linked to the creation of a continuous space and the absence of a ground floor, gives this project a resolutely modern character. The internal minimalism is the fruit of a pragmatic approach, which involved proceeding by elimination, thereby reducing the building to its essence." "This minimalism can also be seen in the limited recurrence of structural elements (the stairs, which form a common thread throughout the internal design) and materials: aluminium, brushed metal and wood panelling on supporting walls and floors, which is made from natural bamboo slats processed without using any treatments or toxic adhesives." "With this project Zifroni forcefully and convincingly exemplifies the current return to modernism, which some people rightly or wrongly qualify as hypermodernism. While it is mainly being adopted as a style, (and no longer as a cause, as once claimed by Anatole Kopp) the Void House successfully expresses its own constraints by relying on no aesthetic features other than the structure itself."


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