Archive

  • Name of work in English

    Visual - Centre for Contemporary Art & the George Bernard Shaw Theatre

  • Name of work in original language

    Visual - Centre for Contemporary Art & the George Bernard Shaw Theatre

  • Prize year

    EUmies Awards 2011

  • Work Location

    Carlow, Ireland

  • Studio

    Terry Pawson Architects

EUmies Awards 2011 Shortlisted

  • Entrance forecourt in winter

    Entrance forecourt in winter

    © James Brittain

  • Entrance foyer looking toward theatre bar

    Entrance foyer looking toward theatre bar

    © Helene Binet

  • Linking gallery looking toward studio gallery & pool

    Linking gallery looking toward studio gallery & pool

    © Helene Binet

  • Main 12m high gallery space

    Main 12m high gallery space

    © Helene Binet

  • 5m high studio gallery doors

    5m high studio gallery doors

    © Helene Binet

  • Evening overview of south face of building

    Evening overview of south face of building

    © Helene Binet

  • Plans

    Plans

    © TPA

  • Sections

    Sections

    © TPA

Authors

Terry Pawson,

Collaborators

Building physics: Arup; Structural engineering: Arup; Quantity surveyor: Nolan Ryan Tweeds; Art: Bruce McAllister; Acoustical: Acoustic Dimensions; Collaborator (office): Jeremy Browne, Gustav Ader; Others: Theater Projects; Collaborator (office): Natalie Galland, Andy Gowing, Andy Summers, Sebastian Reinehr, Joanna Malitzki, Justyna Pollak
  • Program

    Culture

  • Completion

    2009

The contemporary art gallery and 350seat theatre is located in the centre of Carlow on an openlawned quadrangle bounded by St Patrick's College and the Carlow Cathedral. Conceived as an assembly of translucent volumes; the largest gallery sits at the centre of the plan, with the smaller galleries and the theatre spiralling around. The exhibition spaces are arranged in a sequence that heightens the dramatic contrast between the dark sculpted baroque quality of the textured concrete linking spaces, and the sublime white simplicity of the main formal galleries.

Deeply coffered concrete ceilings alternately compress and release the spatial sequence, defining areas of repose and spatial transition. The duality between art gallery and theatre, and the dilemma of a 'blank faced' arts building, are turned to advantage by wrapping the whole structure in an opaque glass skin. During the day soft muted daylight is transmitted to the interior galleries, while at night the building is transformed to an illuminated glowing theatre.


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