Archive

The Twist

BIG - Bjarke Ingels Group, Element Arkitekter. Jevnaker, Norway

  • Name of work in English

    The Twist

  • Name of work in original language

    The Twist

  • Prize year

    EUmies Awards 2022

  • Work Location

    Jevnaker, Norway

  • Studio

    BIG - Bjarke Ingels Group, Element Arkitekter

EUmies Awards 2022 Nominees

  • The Twist - Cover Image

    The Twist - Cover Image

    © Kim Erlandsen

  • The Twist Aerial

    The Twist Aerial

  • The Twist - Night Shot

    The Twist - Night Shot

    © Laurian Ghinitoiu

  • The Twist - Detail

    The Twist - Detail

  • The Twist - Interior

    The Twist - Interior

    © Laurian Ghinitoiu

  • The Twist - Site Plan

    The Twist - Site Plan

  • The Twist - Ground Floor Plan

    The Twist - Ground Floor Plan

  • The Twist - Roof Plan

    The Twist - Roof Plan

  • The Twist - Section

    The Twist - Section

  • The Twist A2 Panel

    The Twist A2 Panel

Located in Jevnaker outside of Oslo, Norway, Kistefos’ new 1,000m2 contemporary art institution, The Twist, doubles as infrastructure to connect two forested riverbanks, ultimately completing the cultural route through northern Europe’s largest sculpture park.

Authors

Bjarke Ingels, David Zahle, Cathrine Vigander, Vidar Knutsen,

Collaborators

Structural engineering: AKT II; Others: ÅF Belysning; Consulting: AS Byggeanalyse; Façades: Baumetall Design; Others: Bladt Industries; Acoustical: Brekke & Strand; Construction company: Davis Langdon; Structural engineering: DIFK; Others: ECT; Electrical: Erichsen & Horgen; Others: Fokus Rådgivning, GCAM; Landscape architect: Grindaker; Façades: Lüchinger & Meyer; Electrical: Max Fordham; Others: MIR, Rambøll
  • Program

    Culture

  • Labels

    Art Gallery · Museum

  • Site area

    270000 m²

  • Client

    Kistefos Museum

  • Total gross floor

    1000 m²

  • Completion

    2019

The Twist is a hybrid spanning several traditional categories: it’s a museum, it’s a bridge, and it’s a sculpture. As a bridge, it reconfigures the sculpture park, turning the journey through the park into a continuous loop. As a museum, it connects two distinct spaces— an introverted vertical gallery, and an extroverted horizontal gallery with panoramic views across the river. A third space is created through the blatant translation between these two galleries creating the namesake Twist. From either direction, visitors experience the twisted gallery as though walking through a camera shutter.

The project site chosen by the client was originally located next to the historic Old Mill. Instead, the team proposed a site that spans the river to close the art route into a continuous loop. The Twist is conceived as a beam warped 90 degrees near the middle to create a sculptural form. Due to the curved design of the glass windows, the variety of daylight entering the museum creates three distinctive galleries: a wide, naturally lit gallery with panoramic views on the north side; a tall, dark gallery with artificial lighting on the south side; and, in between, a sculptural space with a twisted sliver of roof light. The ability to divide or merge the gallery spaces create flexibility for programming. A glass stairway leads visitors down to another fullwidth glass wall, bringing visitors closer the river. During construction, measures were taken to preserve plant and animal habitats, and respect the biodiversity of the park.

The double-curve geometry of the museum is comprised of straight 40cm wide aluminum panels arranged like a stack of books, shifted ever so slightly in a fanning motion. The same principle is used inside with white painted 8cm wide fir slats cladding the floor, wall and ceiling as one uniform backdrop for Kistefos’ short-term Norwegian and international exhibitions. The resulting museum has a double-height column-free gallery space. The project team worked closely with fabricators to understand the supply and installation costs from an early stage to ensure the scheme would develop in line with budget, site and fabrication constraints. Construction costs and extent of temporary works could have been much greater had they not been assessed hand-in-hand with the main structure. The final geometry of the structure allows less steel to be used in its construction than would otherwise have been the case.


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