Archive

The Scottish Parliament

Miralles Tagliabue - EMBT, RMJM. Edinburgh, United Kingdom

  • Name of work in English

    The Scottish Parliament

  • Name of work in original language

    The Scottish Parliament

  • Prize year

    EUmies Awards 2005

  • Work Location

    Edinburgh, United Kingdom

  • Studio

    Miralles Tagliabue - EMBT, RMJM

EUmies Awards 2005 Shortlisted

  • Debating chamber

    Debating chamber

    © Duccio Malagamba

  • General view

    General view

    © Duccio Malagamba

  • © Duccio Malagamba

  • © Duccio Malagamba

  • MSP building

    MSP building

    © Joan Callis

  • Scottish Parliament Masterplan

    Scottish Parliament Masterplan

    © EMBT/RMJM

  • Scottish Parliament plan

    Scottish Parliament plan

    © EMBT/RMJM

  • Public Foyer

    Public Foyer

    © Keith Hunter

  • Foyer

    Foyer

    © Alam Elder

Authors

Benedetta Tagliabue, Enric Miralles, Brian Stewart, Michael AH Duncan,

Collaborators

Project architect: Joan Callis / EMBT (EMBT Project leader), Karl Unglaub, EMBT; Collaborator (office): Constanza Chara, Umberto Viotto, Michael Eichhorn, (Drawing); Lighting: Enrique Peineger / Office for Visual Ineraction; Structural engineering: Ove Arup & Partners; Quantity surveyor: Davis Langdon Everest; Construction manager: Bovis Lend Lease; Accessibility: Buro Happold Fedra; Fire consulting: WS Atkins; Others: RMJM Building Services (Building Services Engineers); Art: Art in Partnership (Art Procurement); Graphic design: Graven Images (Designers of Public Exhibition); Collaborator (office): Annie Marcela Henao, Christian Molina Angel Gaspar Caspado, (Modeling), Jan Locke, Christine Stauss, Sandra Stecklina,, Nadja Pr, Leonardo Giovannozzi, Sara Hay, Marco Santini,, Francesco Matucci, Cristiane Felber, Marco de la Porta,, Sonia Henriques, Luciano Di Romanico,, Fabian Asunci, Simone Brussaferi, Claudia Lucchini, Stefan Geenen,, Kristina Kinder, Franziska Bartsh, Adam Strong,, Patricia Giacobbe, Rafael du Montard, Florencia Vechter,, Gustavo Silva Nicoletti, Vicenzo Franza,, Antonio Benaduce, Andrew Vrana, Bernardo R, Torsten Skoetz, Tomoko Sakamoko, Javier Garc; Others: Arup Facades (Fa), ECD Energy & Environment, Cairns Property Services; Accessibility: Turner Townsend Management Systems (Planning Supervisors); Others: Sandy Brown Associates (Acoustic Consultants), Scottish Lime Centre, CDT; Accessibility: Health & Safety Executive (Health & Safety Regulation Advisors); Others: Merritt-Harrison Catering Consultants (Catering Consultants); Project architect: John Kinsley / RMJM (RMJM project leader); Landscape architect: Kenny Fraser / Project leader RMJM landscape (Project leader); Others: EMS (Broadcasting Systems), G. Andrew Elliot / Director of Building Services RMJM
  • Program

    Government & Civic

  • Completion

    2004

THE OPEN SITE... The land itself will be a material, a physical building material. We would like the qualities that the peat gives to the water and turf were the basis for the new Parliament. This is a way of making a conceptual distance from Holyrood Palace. Whereas the Palace is a building set on the landscape, related to the gardening tradition, the Scottish Parliament would be slotted into the land. The perception of the place and the scale of the site will change drastically when the end of Canon Gate is opened. THE PARLIAMENT SITS IN THE LAND, because it belong to the Scottish land. From the outset we have worked with the intuition that individual identification with land carries collective consciousness and sentiments. The Parliament should be able to reflect the land it represents. The building should arise from the sloping base of Arthur s seat and arrive into the city almost surging out of the rock. THE SEATS OF THE PARLIAMENT ARE A FRAGMENT OF A LARGE AMPHITHEATRE WHERE CITIZENS CAN SIT ON THE LANDSCAPE. The natural amphitheatre will be the first form in the land. We hope that what emerges from this form is a series of identifications between the building and the land, between land and citizens, between citizens and the building. Not just an image but a physical representation of a participatory attitude to sit together gathering. Instead of an overwhelming monument, which only relates to dimensions and rhetorical forms, we like to think about it in terms of a psychological approach. What is the mental image of the new Parliament? How will all of us, citizens, relate in our mind to the new Parliament? The Parliament should belong to a broader concept. The specific place should not be crucial. The Parliament building should come out of a clear and strong statement…in a way independent of site circumstances…


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