Archive

The Former American Embassy in Norway

ATELIER OSLO, Lund Hagem Arkitekter As. Oslo, Norway

  • Name of work in English

    The Former American Embassy in Norway

  • Name of work in original language

    Ambassaden

  • Prize year

    EUmies Awards 2026

  • Work Location

    Oslo, Norway

  • Studio

    ATELIER OSLO, Lund Hagem Arkitekter As

EUmies Awards 2026 Nominees

  • Main entrance reopened — once a fortified enclave, now open to the public and the city.

    Main entrance reopened — once a fortified enclave, now open to the public and the city.

    © Einar Aslaksen

  • Restored Larvikite façade reveals Saarinen’s precision and enduring material depth.

    Restored Larvikite façade reveals Saarinen’s precision and enduring material depth.

    © Einar Aslaksen

  • Iconic Saarinen atrium restored — the folded ceiling now hiding natural ventilation.

    Iconic Saarinen atrium restored — the folded ceiling now hiding natural ventilation.

    © Einar Aslaksen

  • Restored interior with new technical systems seamlessly integrated into the architecture.

    Restored interior with new technical systems seamlessly integrated into the architecture.

    © Einar Aslaksen

  • The building rested on steel piles while a new basement was carved, freeing protected interiors.

    The building rested on steel piles while a new basement was carved, freeing protected interiors.

    © Atelier Oslo/Lund Hagem Arkitekter

  • Once a fortified site, now reopened with landscape, seating and discreet access below ground.

    Once a fortified site, now reopened with landscape, seating and discreet access below ground.

    © Ivar Kvaal

  • Site Plan

    Site Plan

    © Atelier Oslo/Lund Hagem Arkitekter

  • North Elevation

    North Elevation

    © Atelier Oslo/Lund Hagem Arkitekter

  • Section diagram

    Section diagram

    © Atelier Oslo/Lund Hagem Arkitekter

  • Floor Plan Basement Level 2,  new addition

    Floor Plan Basement Level 2, new addition

    © Atelier Oslo/Lund Hagem Arkitekter

  • Ground Floor Plan, restored

    Ground Floor Plan, restored

    © Atelier Oslo/Lund Hagem Arkitekter

  • Fourth Floor Plan – Roof Terrace, new addition

    Fourth Floor Plan – Roof Terrace, new addition

    © Atelier Oslo/Lund Hagem Arkitekter

The Embassy is a project that transforms the former US Embassy in Norway. The project was originally designed by the American architect Eero Saarinen, as one of only three buildings in Europe. The building is both restored and adapted to new use with a large new addition under the building.

Authors

Jonas Norsted, Svein Lund,

Collaborators

Collaborator (office): Mariann Paulsen - Paulsen & Nilsen; Collaborator (office): Erik Langdalen - Erik Landalen; Collaborator (office): Jorge Otero-Pailos - Jorge Otero-Pailos; Collaborator (office): Birgitte Birgitte - Birgitte Birgitte; Landscape: Luis Callejas - LCLA; Landscape: Aaste Gulden Sakya - SLA; Structure: Matthias Stracke - Bollinger + Grohman; Fire Safety and Accessibility: Tor Olav Mittet - Fokus Rådgivning; Project management: Erik Fuglset - Fokus Rådgivning; Lighting: Fredrik Eng - Conseptdesign; Building physics: Pål Kjetil Eian - Norconsult; Installations: Arne Førland - Link Arkitekur; Installations: Olav Rådstoga - Multiconsult; Acoustics: Halvor Berulfsen - Asplan Viak; Installations: Kenneth Mortensen - Foyn Consult; Structure: Halvor Winsnes - Multiconsult; Collaborator (office): Ane Forfang - Lund Hagem; Collaborator (office): Bosheng Gan - Atelier Oslo; Collaborator (office): Patrik Larsson - Lund Hagem; Collaborator (office): Ola Høgmoen - Atelier Oslo; Collaborator (office): Thomas Rønhovde - Lund Hagem
  • Program

    Mixed use - Commercial & Offices

  • Labels

    Compact · Café · Office · Facilities

  • Site area

    1900 m²

  • Client

    Fredensborg AS

  • Total gross floor

    9200 m²

In the work we have focused on highlighting the original qualities of the buildings and facilitated for new use in a manner that adapts to the spirit of the former embassy building. The project includes a modern office building with 400 workplaces, meeting rooms and conference facilities. In addition, the building will contain dining areas with restaurants, bars, café and kitchen areas. Under the entire building a new basement has been excavated to make room for new conference areas. The former technical floor on the top is transformed into a restaurant with magnificent views over Oslo.

The project has been developed in close contact with the Norwegian conservation authorities: 'The embassy building is an important monument in Norwegian post-war modernism with very high architectural and cultural-historical values.' Riksantikvaren (Director of Cultural Heritage). The work has also entailed building up an archive of original drawings and construction methods for the restoration work. When we started the work, the building was in quite bad shape, both technically and in terms of materials and there was little of the original atmosphere left. We studied old drawings and photos to recreate the architectural quality and atmosphere the building used to have and all the new additions were made to fit in with the old. Almost 80 per cent of the interiors are new but reconstructed from old photos or historic references from that period.

More significant insertions and changes to the building are a massive new 14m-deep basement. The gestures combined have allowed the building to extend its floor space by 50 percent and its capacity tenfold, and the building now houses four floors of office space. From outside the building has become a great deal more porous too, with new exterior spaces. Creating the basement section involved excavating 16,500 cubic meters of rock and stone and installing 256 steel piles. The air intake was moved away from the building and doubles up as two light atriums bringing daylight into the new basement floors. Remarkably, this major extension did not alter the building's external appearance. But this wasn’t just important for listing and aesthetic reasons, it was as if the building demanded it. The building itself has such a strong character and geometry, so we always had to go with the building’s logic and not against it.


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