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THE CITADEL OF TIDES

Marie Moors. Oostende, Belgium

  • Name of work in English

    THE CITADEL OF TIDES

  • Name of work in original language

    Atlanticwall second chance as citadel for subcultures?

  • Prize year

    Young Talent 2018

  • Work Location

    Oostende, Belgium

  • Author/s

    Marie Moors

  • School

    Faculty of Architecture and Arts - University of Hasselt.
    Hasselt, Belgium

Young Talent 2018 YT Finalists

  • The Citadel Of Tides

    The Citadel Of Tides

  • Model of the Citadel Of Tides

    Model of the Citadel Of Tides

  • The topics of the project

    The topics of the project

  • Inside view of the Citadel Of Tides

    Inside view of the Citadel Of Tides

  • Section and concept drawings

    Section and concept drawings

  • Floorplan of the Citadel Of Tides

    Floorplan of the Citadel Of Tides

  • Construction Detail

    Construction Detail

  • The Citadel Of Tides Presentation

    The Citadel Of Tides Presentation

THE CITADEL OF TIDES
Atlanticwall second chance as citadel for subcultures?

  • Program

    Culture

  • Labels

    Nature · Culture Centre

The project site is situated at the seafront of Ostend. The city is struggling with infrastructural problems due to the rising sea level. But the sea also opens up perspectives for an increasing amount of refugees. The citadel of tides unites the cultural and pragmatic necessary aspects. It is our responsibility to open up the eyes to the mutual benefits.

On the macro level the project has its own identity due to its scale, roughness and strong presence. As the beach situated in front of the project site is removed, the sea is up against the existing galleries. On the one hand this intervention is necessary to install the ‘Wave dragon’. On the other hand the conventional ‘beach walk’ is now taken through the building itself. That is the reason for the citadel’s appearance as an artificial dune landscape. The axle lines of the Venetian and Royal galleries served as the structural inspiration for the design of the building. The walls appear as duing races holding the sand together. The platforms are built like terraces, to ensure the continuous sea view on different levels. All the floors of the citadel are accessible for everyone at any time; horizontally by means of slopes and vertically by means of lifts and stairs. The three lift shafts ensure the stability of the construction.\nThe connection between the beams and the columns is invisible, and is called the BFS-system, reproducible to infinity and contrasting with the uncontrollability of nature. \n‘Structure is the maker of light. A column and a column brings light between. It is darkness – light; darkness – light; darkness –light.’, Louis Kahn (2013) in The power of architecture, Weil am Rhein: Vitra Design Museum.\nThe building is like a music score: a suggestion for a performance in which freedom, initiative and self-organisation play the leading role. I want to upgrade the temporary character of a refugee’s stay in Ostend. Let culture make the difference in all its rich variety.\nIn order to adjust the building to temporary functions, tarps can be hanged between the walls or containers for multiple purposes can be placed on railing systems. The structure is calculated on a big amount of weights. \nAre we, as society, ready to give the Atlantic wall a second chance as a citadel for subcultures? Only if people open their eyes to the mutual benefits of this project.\n‘The refugee is like a migratory bird nourishing in Ostend before flying on to England’. With sight on England we think about our lost visitors.


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