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Tekfen Yalikavak Housing Complex and Hotel

Trafo-mimarlar. Muğla, Turkey

  • Name of work in English

    Tekfen Yalikavak Housing Complex and Hotel

  • Name of work in original language

    Tekfen Yalikavak Evleri ve Oteli

  • Prize year

    EUmies Awards 2009

  • Work Location

    Muğla, Turkey

  • Studio

    Trafo-mimarlar

EUmies Awards 2009 Nominees

  • Houses with walls from on-site rock

    Houses with walls from on-site rock

  • deep shades and cantileveres of houses

    deep shades and cantileveres of houses

  • detail of houses

    detail of houses

  • street character

    street character

  • larger houses

    larger houses

  • hotel - rooms and public spaces

    hotel - rooms and public spaces

Authors

Ipek Yürekli, Suna Birsen-Otay, Sevim Aslan, Deniz Aslan, Arda Inceoglu,

Collaborators

Project architect: kemal ozmen, ceren hancioglu, ilker aksoy; Technical architect: esin gumus; Landscape architect: ceyda ozbilen, gunseli dolluk; Mechanical: setta m, giray muhendislik; Electrical: elsan elektrik m; Structural engineering: tektas m, oguz cem celik; Project management: turgut lakerta; Construction manager: ahmet tekne; Project management: sabriye bayram
  • Program

    Collective housing

  • Completion

    2008

Yalikavak region is very special within the over-built Bodrum Peninsula. It is the least developed area with nature still being dominant over building. Most development in Bodrum is housing that is used during the summer for a few weeks. However, Yalikavak has a substantial winter population too, that helps the city to make the transformation from summer village to a real town. The site is located just at the Aegean Sea with 1800 views. It also has a very strong topography with high slope making a larger density settlement difficult. The natural textures are also rich: a mixture of rock and local ground covers. The first aim of the project is to employ the full potential of the site. Thus, topography is used as a primary design element. All interior and exterior spaces in all buildings have open views. The buildings are cut into the slope, considered as man-made extensions of topography.

The site is handled as a single, unified garden. At the same time, each building has private outdoor areas disconnected from the rest. Roof gardens are part of the idea of seeing the whole design as a unified texture. The texture of the site is recreated with walls made from its own rocks and transitions from space to space. All buildings are set on different levels and are connected with outdoor spaces. So, in the texture of the settlement the street character is dominant, which has a spontaneous feel. Houses are designed as two separate villas sitting on top of each other. Living areas of each is placed on differing sides enabling further privacy. The intention is to make the users feel they own a private home instead of being a small part of a 84 house settlement.

The existing natural rock texture and the walls made using that rock contrast with the simple shapes of the houses. Except the shades and shadows it carries, architecture is extremely simplified & there have no recognizable detail to them. So, the emphasis is on the overall texture created, not on any single building. Hotel building is also set into the slope to make it least visible from the houses above. Public areas and rooms are separated from each other. The entry to the hotel is through the roof. Coming down you find yourself exposed to the views once more, this time through the building. The projection of the balconies controls the views for the customers, giving the feeling confronting nature by oneself.


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