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Summer House, Storfjord on the West coast of Norway

Jensen & Skodvin Arkitektkontor as. Storfjord, Norway

  • Name of work in English

    Summer House, Storfjord on the West coast of Norway

  • Name of work in original language

    Sommerhus, Storfjord

  • Prize year

    EUmies Awards 2015

  • Work Location

    Storfjord, Norway

  • Studio

    Jensen & Skodvin Arkitektkontor as

EUmies Awards 2015 Nominees

  • The summerhouse out door ares seen from the roof and out towards the west

    The summerhouse out door ares seen from the roof and out towards the west

    © nils vik

  • The out door areas seen from the living room towards the west

    The out door areas seen from the living room towards the west

    © nils vik

  • The living room seen towards the north west

    The living room seen towards the north west

    © Jan Olav Jensen

  • The entrance area of the house, seen towards the north west

    The entrance area of the house, seen towards the north west

    © nils vik

  • Plan of entrance floor, lower level. Outdoor terrace has dark hatch

    Plan of entrance floor, lower level. Outdoor terrace has dark hatch

    © Jan Olav Jensen

  • Plan of bedroom level, upper level.

    Plan of bedroom level, upper level.

    © Jan Olav Jensen

  • The house seen from the south

    The house seen from the south

    © nils vik

  • Interior of a bedroom, seen towards west

    Interior of a bedroom, seen towards west

    © Jan Olav Jensen

Authors

Jan Olav Jensen, Børre Skodvin, Torunn Golberg, Torstein Koch,

Collaborators

Engineering: Finn-Erik Nilsen
  • Program

    Single house

  • Site area

    1200 m²

  • Total gross floor

    200 m²

  • Completion

    2013

The site is a separate plot that was designated for a summer house many years ago. For different resons it was not sold until a few years ago. There is no road to the site so only light machinery was used and the site was changed as little as possible. The main level contains the common rooms. A part of the rock wall behind the house is inside the living room. The bed rooms are placed on the upper level, between the pine trees. Terraces are placed between the trees at various places, giving sun at different times of the day. During the building process we ended up using hand drawings, or a mix of CAD and hand drawings, because of the unmatched efficiency of this type of drawing production. The foundations are thin steel rods (ø25mm) that support hinged wooden pillars. In this way we could avoid all roots, and had established a robust static system that would be stiff in any configuration we would need. The foundations are of two types; bolts drilled directly into the bedrock, or concrete walls, placed directly on the bedrock. Together with the surveyor we marked out all the points on site and indicated the different dimensions. It soon became clear that several of the holes had to be moved because of loose rock, important roots, or pockets of soil. We had anticipated this situation so the foundation system was designed in order to handle both large deviations and tolerances. The pillars are glue laminated wood, delivered precut. The steel parts where produced locally. Two and two pillars form an A. Onto these horizontal prefabricated glue laminated beams were hoisted, with a small winch placed on the top of the A-pillars. The secondary structure is mostly made from high quality pine (veneer quality). A large amount of different profiles were produced, according to what was the most efficient structure in each case.

The heaviest elements are the steel beams in the ceiling of the living room. They turned out the way they did because we had already purchased the steel earlier in the project to use as columns. As the height of the house was adjusted for various technical reasons, the original steel profile became too small. We could of course send the steel in return, but it was economical to use material that we already had and it was a nice architectural and constructive challenge too.

It was not necessary or even economically possible; to continuously update the main drawings. The whole project is after a certain moment only described as parts of a puzzle. These parts fit together on the site, but not on paper. We would like to question the ease with which architects, and society in general, uses violence to a site, in the form of large machines and explosives. We think that simple strategies and the conservation of topography and vegetation are aspects of sustainability which deserves more attention.


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