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STONED

Elastico Farm. San Quirino, Italy

  • Name of work in English

    STONED

  • Name of work in original language

    STONED

  • Prize year

    EUmies Awards 2019

  • Work Location

    San Quirino, Italy

  • Studio

    Elastico Farm

EUmies Awards 2019 Nominees

  • General view of  the south façade (house 1)

    General view of the south façade (house 1)

    © Elisabetta Crovato

  • General view of the south-west façades (house 2)

    General view of the south-west façades (house 2)

    © Mattia Balsamini

  • Detailed view of the “curtain stones” from the terrace  (house 2)

    Detailed view of the “curtain stones” from the terrace (house 2)

    © Mattia Balsamini

  • Exterior view of the south façade from the house1 porch

    Exterior view of the south façade from the house1 porch

    © Mattia Balsamini

  • Interior view of the living room and the entrance space

    Interior view of the living room and the entrance space

    © Elisabetta Crovato

  • Ground floor plan

    Ground floor plan

  • First floor plan

    First floor plan

  • Main sections

    Main sections

  • Elevations

    Elevations

  • sketches

    sketches

The redevelopment of a central area of San Quirino investigated the role of materials in the renovation of the historic urban core of small Italian towns. The reinterpretation of the use of traditional stone walls had to deal with their fragility, in a region considered an highly risky seismic area.

Authors

Stefano Pujatti, Alberto Del Maschio,

Collaborators

Architect: Valeria Brero, Corrado Curti, Daniele Almondo, Marco Burigana, Andrea Rosada, Serena Nano; Structural engineering: Antonio Colonnello; Mechanical: Proj-System; Construction company: Bedin e Arrigò
  • Program

    Single house

  • Labels

    Aggregation · Family

  • Site area

    2216 m²

  • Client

    Private

  • Total gross floor

    420 m²

  • Completion

    2018

  • Cost

    2000 €/m²

The main building of the complex (house 1) has been restructured to create a single family residence, preserving some features of architectural significance: stone walls, an arched portico and a main façade in which the rugged nature of the materials was combined with an harmonious distribution of openings. The other building (house 2) is the result of the demolition and reconstruction of a barn, whose structure was in critical conditions, and the transformation into a coach-house.

The overall project reinvented with a dose of irony the elements of construction, playing with the building tradition, with the role of materials and with the once established hierarchies. In the house 1, the original structure was treated as a shell within which creating a new living organism, built up by sliding together boxshaped volumes at different levels to create complex spaces. These boxes of bare reinforced concrete emerge in different ways from the exterior of the building: somewhere they protrude through the original walls, elsewhere they end flush with the stone wall, or occupy part of the portico. Reconstruction of the house 2 had to follow the rules of the building code, which imposes for all intervention in the historic centers the use of stone in the traditional shapes and formats to prevent the loss of identity of the small rural centers. While the shape of the house is defined by reinforced concrete slabs, traditional stone in reinterpreted in a “cosmetic” use, in this way subverting the hierarchy of the main building.

Both the houses have a concrete structure, (the first as a reinforcement of the old stone walls), which respond to the requirements of an highly risky seismic area. The buildings are characterized by a highly insulating envelope and low energy consumption systems (heat pumps). The insulating layer is placed on the inner face, finished with drywall or wood panels, that alternate with the colder appearance of the concrete and stone walls. Light is a fundamental element of these architectures: in the main building the balance between large openings, small original windows and a skylight above the entrance, enhance the perception of interior spaces and double heights. In the coach-house, the large openings facing south and west are shielded from the sun by “curtain stones”, which create special lighting effects when the sun goes down.


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