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St. Paul´s Church of Tartu

Kari Järvinen ja Merja Nieminen arkkitehdit. Tartu, Estonia

  • Name of work in English

    St. Paul´s Church of Tartu

  • Name of work in original language

    Tartu Pauluse Kirik

  • Prize year

    EUmies Awards 2017

  • Work Location

    Tartu, Estonia

  • Studio

    Kari Järvinen ja Merja Nieminen arkkitehdit

EUmies Awards 2017 Nominees

  • Tartu Pauluse Church hall

    Tartu Pauluse Church hall

    © Jari Jetsonen

  • Main facade

    Main facade

    © Jari Jetsonen

  • Church hall details

    Church hall details

    © Merja Nieminen

  • Church hall

    Church hall

    © Jari Jetsonen

  • Crypt

    Crypt

    © Jari Jetsonen

  • Columbarium

    Columbarium

    © Jari Jetsonen

  • ground floor plan

    ground floor plan

    © Merja Nieminen

  • 2nd floor plan

    2nd floor plan

    © Merja Nieminen

  • basement

    basement

    © Merja Nieminen

  • section

    section

    © Merja Nieminen

  • section

    section

    © Merja Nieminen

  • detail of "light tower" in columbarium

    detail of "light tower" in columbarium

    © Merja Nieminen

Restoration of St. Paul’s Church of Tartu - a significant architectural monument in Estonia, designed by well-recognized Finnish architect Eliel Saarinen in 1911-1913 and the construction finished in 1917 and re-consecrated 1919.

Authors

Merja Nieminen, Kari Järvinen,

Collaborators

Architect: Markku Nors (Kari Järvinen, Merja Nieminen, arkkitehdit), Päivi Pennanen; Structural engineering: Eero Kotkas (Vahanen Oy); Engineering: Jukka Sainio (Insinööritoimisto Maaskola Oy), Niko Lipponen; Acoustical: Henrik Möller (Akukon Oy); Electrical: Otto Lappi (Insinööritoimisto Maaskola Oy); Art: Pertti Kukkonen (Cast art and concrete treatment), Kuutti Lavonen, Kristiina Ribelus
  • Program

    Religion

  • Labels

    Church · Religious Centre

  • Site area

    3.708 m²

  • Client

    Tartu Pauluse Sihtasutus

  • Total gross floor

    6.198 m²

  • Completion

    2015

  • Cost

    2.145 €/m²

An finnish –estonian architectural competition for the restoration of the church was held in 2006. The church was being renovated on the principle that St. Paul’s Church is a sacred building, an architectural monument of the 20th century and also a concert hall. After the renovation it accommodates an audience of 1,100. Extensions, columbarium, crypt and technical rooms, were constructed under the church hall and back yard. Congregation wing and church hall were also fully renovated, new design was given to church yard “memory garden”, green areas and parking lot. The restoration was conducted in six phases in 2006-2015. The project also held a great importance due to the collaboration between Estonia and Finland.

The aim was to restore the church designed by the Finnish architect Eliel Saarinen. Saarinen´s designs were in part vague, and not all of them had been implemented. In 1944, during the war, the church was severaly damaged in the fire. During the Soviet time the church was repaired but the result deviated fundamentally from the original. From such a starting point, it would not have been possible to reconstruct the building to a specific historical appearance. The objective was to restore the basic structural layout, reinterpret and compelete with contemporary solutions the main features of Saarinen´s design, and together with careful detailing create an architecturally cohesive optimistic and festive space. The new crypt and columbarium in the basement form a clearly new and modern layer in the building complex and the “light towers” make the new architecture visible also on the outside of the church.

The spatial layout has been restored by building concrete balconies that lend structure to the main space. The opening of the bricked-in choir windows fills the choir space now with natural light. The concept of Gesamtkunstwerk has been a leading principle. The gallery rails and recesses in the surface of the ceiling follow Saarinen´s detailing, as does the square pattern in the new concrete floor, wooden doors and windows. The decorative paintings on the replastered vaults and walls were based on recovered fragments and photographs. The furniture and lamps were designed as part of the overall interior design. The tiled roof was restored to its original form. The tower and the brick wall in the facades were renovated. The old natural stone walls and geometrically subdivided concrete walls, as well as the free rhythm of the new brick barrel vaults in the crypt give the new spaces a strong character. Flowing water and Paradise –gate doors gives calmness to the shadowy columbarium space.


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