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Sanctuary of Fatima - Church of the Most Holy Trinity

Alexandros N. Tombazis & Associates Architects. Fatima, Portugal

  • Name of work in English

    Sanctuary of Fatima - Church of the Most Holy Trinity

  • Name of work in original language

    Santuario de Fatima - Igreja da Santissima Trindade

  • Prize year

    EUmies Awards 2009

  • Work Location

    Fatima, Portugal

  • Studio

    Alexandros N. Tombazis & Associates Architects

EUmies Awards 2009 Nominees

  • General view of Church on Inauguration Day

    General view of Church on Inauguration Day

    © Fernando Guerra

  • Exterior view with Cross by Robert Schad

    Exterior view with Cross by Robert Schad

    © Fernando Guerra

  • Main entrance doors and bronze panel synthesis by Pedro Calapez

    Main entrance doors and bronze panel synthesis by Pedro Calapez

    © Fernando Guerra

  • Rear view

    Rear view

    © Fernando Guerra

  • Atrium with ponds in front of level -1

    Atrium with ponds in front of level -1

    © Alexandros N. Tombazis

  • Interior view of main hall with natural lighting from the roof

    Interior view of main hall with natural lighting from the roof

    © Fernando Guerra

  • Site plan

    Site plan

  • Ground floor plan

    Ground floor plan

Authors

Alexandros Tombazis,

Collaborators

Collaborator (office): Stavros Gyftopoulos, Sophia Paraskevopoulou; Collaborator (external): Paula Santos, Joana Delgado; Structural engineering: Eteclda; Mechanical: Edificios Saudaveis Consultoria lda; Hydraulic: Vitor Abrantes lda; Electrical: OHM-E lda; Acoustical: Vitor Abrantes lda, SOPSEC lda, LPL lda; Landscape architect: Proap lda; Environmental: Mat Santamouris; Lighting: Bartenbach Lichtlabor GmbH; Construction manager: FASE S.A.; Construction company: SOMAGUE; Art: Robert Schad, Maria Loizidou, Pedro Calapez, Kerry Joe Kelly, Marco Ivan Rupnik, Catherine E. Greene, Alvaro Siza, Francisco Providencia, Benedetto Pietrogrande, Czeslaw Dzwigaj; Graphic design: Francisco Providencia; Security: Eteclda
  • Program

    Religion

  • Completion

    2007

Brief: In order to erect a Church for 9,000 pilgrims, the Sanctuary of Fatima in Portugal launched a two stage international competition in 1997 between pre-selected architects. The new building has been set at the south end of the 500X150m square with easy access for large numbers of visitors. Basic principles: Two basic elements, a 125m diameter circle and a linear element in the form of two large span (80m) beams intersecting it, are the geometric shapes that dominate the architecture. A symmetrical layout has been chosen for symbolic, aesthetic and functional reasons due to the size of the building, so as to enhance monumentality and the closeness of the congregation to the Presbytery. The building is developed on two levels. The main ground level gently rises from the existing square. The Chapels are developed underground below the main entrance area so as not to exceed the floor level of the square and impede the monumental relationship of the main structure and the square. Other auxiliary spaces are also entirely developed underground with connecting ramps and stairs to the main areas of circulation. The Church has a recessed main entrance on the level of the square. Access ramps, defined by the two side walls and the two centrally located shallow reflecting pools contribute to a gradual transition from the open, inevitably noisy public space of the square, to the underground Chapels and confession areas, preparing the visitors for contemplation and prayer.

Function: Functionally, the main interior space, which further to its function as a Church can also be used for assemblies, can be divided into two zones. Accordingly, the hall can be used either for a smaller number of up to 3,000 or to its full capacity of 9,000 persons. Daylight strategy: The roof is intersected by the two beams that create a central axis, which rises towards the altar in a countermovement to the sloping floor. It emphasizes the vertical focus related to the purpose of the place and incorporates southfacing daylighting that accentuates the procession from the entrance to the altar. The remaining two parts of the roof on either side of the central beams consist of a sawtooth shed steel construction which further to permitting the use of daylight, functions as a structural element that frees the hall from vertical supports. The southfacing inclined surfaces of the sheds serve both to reflect daylight towards the northfacing clerestory strip windows and to support 3,200m2 of photovoltaic panels.

A translucent membrane is hung below the shed in order to avoid that it be visible from below and in order to create an overall soft distribution of both day- and artificial lighting. The uniformity or accentuation of day- or artificial lighting in different areas of the interior space can be computer controlled by closing or opening light directing blinds that are fixed to the clerestory glazing and by turning on indirect artificial lighting when desirable. Elaborate scientific simulations were undertaken for the optimisation of the bioclimatic design and daylighting features of the building resulting in considerable energy savings.


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