Archive

  • Name of work in English

    Sala Beckett / Theatre and International Drama Centre

  • Name of work in original language

    Sala Beckett / Obrador Internacional de Dramatúrgia

  • Prize year

    EUmies Awards 2017

  • Work Location

    Barcelona, Spain

  • Studio

    Flores & Prats

EUmies Awards 2017 Nominees

  • Arrival under the arch and skylight

    Arrival under the arch and skylight

    © Adrià Goula

  • Old and new window connecting the Bar with the Vestibule

    Old and new window connecting the Bar with the Vestibule

    © Adrià Goula

  • Bar Beckett

    Bar Beckett

    © Adrià Goula

  • Exhibition room with natural light

    Exhibition room with natural light

    © Adrià Goula

  • Vestibule and skylight

    Vestibule and skylight

    © Adrià Goula

  • Site Plan

    Site Plan

  • Ground Floor

    Ground Floor

  • First Floor

    First Floor

  • Longitudinal Section through Vestibules

    Longitudinal Section through Vestibules

  • Transversal Section through Exhibition Spaces and Bar

    Transversal Section through Exhibition Spaces and Bar

  • Longitudinal Section through Vestibule with colour renders

    Longitudinal Section through Vestibule with colour renders

  • Axonometry

    Axonometry

  • View of the model at Vestibule

    View of the model at Vestibule

The new Sala Beckett occupies a former social club in Barcelona, and its design attends its as found state to create the atmosphere of a new theatre and drama centre. The large foyer is a public space where relations and exchanges can occur unexpectedly, expanding the theatrical activities out of the exhibition spaces into the building as a whole.

Authors

Ricardo Flores, Eva Prats,

Collaborators

Collaborator (office): Eirene Presmanes, Jorge Casajús, Micol Bergamo, Michelle Capatori, Emanuele Lisci, Cecilia Obiol, Francesca Tassi-Carboni, Nicola Dale, Adrianna Mas, Giovanna de Caneva, Michael Stroh, Maria Elorriaga, Maria Elorriaga, Pau Sarquella, Rosella Notari, Laura Bendixen, Francesca Baldessari, Marta Smektala, Ioanna Torcanu, Carlotta Bonura, Florencia Sciutto, Georgina Surià, Elisabet Fàbrega, Julián González, Valentina Tridello, Agustina Álvaro Grand, Monika Palosz, Shreya Dudhat, Jordi Papaseit, Judith Casas, Tomás Kenny, Filippo Abrami, Constance Lieurade, Iben Jorgensen, Lucía Gutiérrez, Gimena Álvarez, Agustina Bersier, Mariela Allievi, Toni Cladera, Clàudia Calvet; Acoustical: Arau Acústica; Engineering: Marc Comas; Quantity surveyor: Xavier Badia; Structural engineering: Manuel Arguijo; Project management: David Morros (Morros Dalmau); Others: Elisabet Castells (Scenographic Adviser), José Luís Hernández (AJ Ingeniería)
  • Program

    Culture

  • Labels

    Theatre

  • Client

    Sala Beckett / Theatre and International Drama Centre

  • Total gross floor

    2.923 m²

  • Completion

    2016

  • Cost

    855 €/m²

During the process of transformation of the building, the design and construction was done with care, in a way that its final state wouldn't lose the memory of its origin: despite the long abandon, we found a building whose walls and ceilings were loaded with stories and emotions that were incorporated to the project, taking advantage of the ancient remains and preserving its decoration, in a reconciliation with the past of the building. The ground floor is a place open to the neighborhood, the double height central vestibule and the corner bar invite to circulate and to know it. It is a meeting place, where former co-ops come in to browse and coincide with the theater people and the users of the bar and from where you access the Theatre Downstairs. On the first floor there is the Theatre Upstairs and the Rehearsal Room, and a little further away are the drama training and writing classrooms.

The old cooperative was a very economical construction and very generous in dimensions: big spans, big heights, big doors and windows. Adapting it to the use of theatrical activity required a series of actions that could have completely erased the charm of the fragile building that came to us. The current structural, acoustic and climatic requirements have affected the entire building and have taken most of the economic investment. We had to get a good working condition for the future drama activities: no heat or cold, no annoying noises and the possibility to schedule simultaneous activities in all rooms while the common spaces and the bar were also occupied. All these operations were studied and designed so that the inheritance could prevail: the decoration, the big spaces, the natural light... everything that had to remain there after the transformation, is still there. During the construction process many things happened in the building, and at the end, in the words of its director, Toni Casares, "it seems that nothing has happened here".

The project considered the reuse of all the building elements that could be useful: tiles, carpentries, hungers, rosettes, junk... this decision allowed us to minimize the environmental impact of the construction, trying to make everything that was in the place stay there, as an ecological as well as design decision. This helped to the fact that there were just 2,5 million euros for an intervention of 2.923 sqm, which results in a ratio of 855 euros/sqm. The new circulation has been drawn on the rectangular geometry of the three original naves, establishing new connections between them, which respond to their new occupation. This has meant that most recovered doors and windows have been placed in different locations than the original ones. Also the old hydraulic tiles found in the first floor, have been distributed through the common areas of the building, as in the classrooms and exhibition spaces a wood pavement was preferred. The Sala Beckett is a place in use throughout the day, so in addition to the air conditioning by machines, it was important to endow all the rooms with cross ventilation and natural lighting which allows to work and study in a pleasant way all day long.


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