Archive

Royal Festival Hall

Allies and Morrison. London, United Kingdom

  • Name of work in English

    Royal Festival Hall

  • Name of work in original language

    Royal Festival Hall

  • Prize year

    EUmies Awards 2009

  • Work Location

    London, United Kingdom

  • Studio

    Allies and Morrison

EUmies Awards 2009 Nominees

  • Balconies with views over the riverside walk

    Balconies with views over the riverside walk

    © Dennis Gilbert

  • The Westminster Pavilion, level 6

    The Westminster Pavilion, level 6

    © Richard Bryant

  • New public realm

    New public realm

    © Dennis Gilbert

  • The New Building creates a new home for Southbank Centre staff

    The New Building creates a new home for Southbank Centre staff

    © Peter Cook

  • The auditorium has undergone a complete refurbishment, with new stage arrangement and orchestral acoustic canopy.

    The auditorium has undergone a complete refurbishment, with new stage arrangement and orchestral acoustic canopy.

    © Dennis Gilbert

  • Site plan

    Site plan

  • Detailed Section

    Detailed Section

  • The transformed riverside terrace

    The transformed riverside terrace

    © Dennis Gilbert

Authors

Graham Morrison, Paul Appleton, Simon Fraser,

Collaborators

Structural engineering: Price & Myers; Mechanical: Max Fordham LLP; Quantity surveyor: Davis Langdon; Others: ISG InteriorExterior/ Contractor; Acoustical: Kirkegaard Associates; Others: Rick Mather Architects/ Masterplanning; Landscape architect: Gross Max; Lighting: Speirs and Major; Others: Carr and Angier/ Theatre Consultant; Accessibility: David Bonnett Associates
  • Program

    Culture

  • Completion

    2007

Architecture is as much about looking back as it is striving for the new. The basis for an architect's education is about precedent, and an understanding or interpretation of our built environment. Few buildings in Britain generate the public affection afforded to the Royal Festival Hall. The transformation project has been an opportunity to refurbish this extraordinary building; its clarity of function, composition and organisation; its detail, materials, colour and lighting. The Royal Festival Hall was the first significant public building built after the war and the first modernist building to be Grade I Listed. This recognition came however, at a time when it had become almost unrecognisable, through first radical and later careless change. On one level the project has been a recovery of the clarity of the original plan, its theory and composition. On another it has been about the management of change. This change has affected every fibre of the building s fabric. The building has a new setting, a thriving public realm, radically different from 1951 yet closer in spirit than at any time since. Its foyers have been rediscovered; the plethora of Southbank Centre administrative offices moved to the 'New Building' alongside the railway. Its auditorium has been transformed, almost every surface removed and 'retuned' to live up to the acoustic aspirations the original designers acknowledged they never quite achieved, and to provide the production facilities and audience comfort of a concert hall for the new century.

Significant measures to reduce the overall energy usage of the building and to reduce its reliance on nonrenewable, greenhouse and global warming sources of energy have been implemented. Building services have been replaced throughout with new infrastructure and plant installed and an integrated building management control system, providing reliable and controllable heating and ventilation. Two 140m deep boreholes supply water to heat exchangers, providing comfort cooling to the Royal Festival Hall and New Building, offices and retail units. The Auditorium ventilation system has been reversed to become lowlevel, lowvelocity supply and highlevel extract for greater efficiency. A new controllable lighting system enhances the natural light in the foyers. Listed building status necessitated careful consideration for the use of all materials. Specialist timbers and stone were removed and restored to suit new locations. Doors and ironmongery were catalogued and set aside for reinstatement.

The project, took 24 months to realise on site; as planned. It cost £117.9m. It was funded with the support of major grants from Arts Council England, the Heritage Lottery Fund and the Department for Culture Media and Sport. It was visited by 250,000 people on its reopening weekend. Its reopening season was heralded by unprecedented positive International coverage, including 1,900 written articles. The completed project has received RIBA and Civic Trust Awards and in particular was shortlisted for the RIBA Stirling Prize. The Royal Festival Hall has always been at the cultural heart of London. It is now seen as a world class concert hall in a setting worthy of its festival beginnings.


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