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Regional Multifunctional Centre Eastern Latvia

Vizual modeling studio / VMS. Rezekne, Latvia

  • Name of work in English

    Regional Multifunctional Centre Eastern Latvia

  • Name of work in original language

    Austrumlatvijas regionalais daudzfunkcionalais centrs Rezekne GORS

  • Prize year

    EUmies Awards 2015

  • Work Location

    Rezekne, Latvia

  • Studio

    Vizual modeling studio / VMS

EUmies Awards 2015 Nominees

  • View from new bridge to North-East elevation and public lobby with the main stairs.

    View from new bridge to North-East elevation and public lobby with the main stairs.

    © Indri?is St?rmanis

  • Frontal view to North-West elevation with Main entrance, Main Hall lobby and restaurant.

    Frontal view to North-West elevation with Main entrance, Main Hall lobby and restaurant.

    © Indri?is St?rmanis

  • Restaurant interior. View toward entrance.

    Restaurant interior. View toward entrance.

    © Indri?is St?rmanis

  • Upper balcony stairs of Main hall.

    Upper balcony stairs of Main hall.

    © Indri?is St?rmanis

  • Plan of 2 nd floor with public lobby, entrances to halls and restaurant.

    Plan of 2 nd floor with public lobby, entrances to halls and restaurant.

  • Section through the entire building along main hall.

    Section through the entire building along main hall.

  • Approaching from East, site arrangements and Small hall entrance area.

    Approaching from East, site arrangements and Small hall entrance area.

    © Indri?is St?rmanis

  • Main hall interior view from 1st balcony.

    Main hall interior view from 1st balcony.

    © Indri?is St?rmanis

The approach of treating this multifunctional building, partly funded by EU as an 'hart of cultural events', coupled with the determination and patience shown by the city government, has allowed Rëzekne to become the first city in Latvia in the post-Soviet period to build a large new multifunctional concert hall.

Authors

Uldis Balodis, Daiga Bikse, Daina Levane, Eva Rozite, Viktorija Barinova, Mareks Stefanenkovs, Girts Reimats, Linda Balode,

Collaborators

Acoustical: Jan-Inge Gustafsson; Building physics: Gunnar Wid; Building technology: Erik Westerlund; Landscape architect: Inese Grundule; Lighting: Mikael Berglund; Structural engineering: Alexsandrs Piskurs; Climatisation: Ojars Baltins; Electrical: Guntis Dzerins; Engineering: Ilgvars Karlaps
  • Program

    Culture

  • Completion

    2013

The building's location was determined by the need to share the urban space with the existing House of Culture, which stands on the opposite bank of river, and by the desire to use pedestrian paths and the site's natural landscape. The building's structure is tripartite: Auditoriums linked via transparent atrium. The large auditorium 1007 seats, which is truly multifunctional and has transformable high-tech floor, being suitable for use of all kind of concerts, theatre, opera and shows. The small auditorium 225 seats intended also for showing films, conferences, and rehearsals. Special curtains and moveable panels make the acoustic reverberation adjustable in both halls. This project's 'genetic code' is an alloy of several metaphors. Its dynamism and freedom of form are symbolically associated with the waxwing. Additional starting points were the image of the traditional Latgale kiln used for firing ceramics is where 'the fire of the creative spirit burns'. This theme is reflected in the colour scheme and the contrast between materials. The simple architectural concept of a contrast between dark and light, black and- white and coloured, open and closed, and wood and concrete helped the project survive repeated cuts to its budget. The building's structure is tripartite: a large auditorium; perpendicular to the latter, a small auditorium; and, linking the first two parts, a transparent atrium containing the vestibule, foyer, and restaurant. Visually, the boundary between the facades and roof disappears thanks to the glazing and use of the same decorative cladding panels on both vertical and horizontal planes. This gives the building a sculptural quality. The extensive areas of glazing underline the building's public function and establish a visual link between the interior and exterior of the concert hall. The complex also contains choreography and concert halls, an exhibition space, an administrative office, and a room for civil ceremonies and weddings.

The large auditorium, which is called 'Gors' (Spirit), has a shoebox shape and is truly multifunctional, being suitable for concerts of classical and pop music, theatre and opera productions, shows, and dance shows. The auditorium's hightech floor can change configuration to meet the requirements of specific events; it can be flat or stepped (like a terrace) and can also become an orchestra pit. Special curtains and moveable panels make the acoustic reverberation adjustable. The small auditorium (Zidaste, meaning 'waxwing') is intended not just for concerts, but also for showing films, conferences, and rehearsals. Its acoustic parameters are also adjustable.

State issued special regulation for water control avoiding flooding city areas by misuse of private water gates. Main structural elements and timber acoustic surfaces was made in locations of Rëzekne city by local work force with limited transportation. Building has BMS, controlling ventilation, cooling and heating system work. Site area 32000 m2 Site arrangement costs 3.9 Mio € Building floor area 14000 m2 Overall building and equipment costs 16.5 Mio


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