Archive

Pavilion 13, VDNG

ФОРМА. Kyiv, Ukraine

  • Name of work in English

    Pavilion 13, VDNG

  • Name of work in original language

    Павільойн 13, ВДНГ

  • Prize year

    EUmies Awards 2026

  • Work Location

    Kyiv, Ukraine

  • Studio

    ФОРМА

EUmies Awards 2026 Nominees

  • Fragment of the main facade

    Fragment of the main facade

    © Renovation of Pavilion 13, VDNG. Main facade. Pictured: Ai Weiwei's artwork Three Perfectly Proportioned Spheres and Camouflage Uniforms Painted White, commissioned by Ribbon International. Photography by Oleg Batrakov. Courtesy of ФОРМА

  • Fragment of the side  facade

    Fragment of the side facade

    © Renovation of Pavilion 13, VDNG. Side facade. Pictured: Ai Weiwei's artwork Three Perfectly Proportioned Spheres and Camouflage Uniforms Painted White, commissioned by Ribbon International. Photography by Oleksii Petrov. Courtesy of ФОРМА

  • Main entrance

    Main entrance

    © Renovation of Pavilion 13, VDNG . Main entrance. Pictured: Ai Weiwei's artwork Three Perfectly Proportioned Spheres and Camouflage Uniforms Painted White, commissioned by Ribbon International. Photography by Oleksii Petrov. Courtesy of ФОРМА

  • Side facade

    Side facade

    © Renovation of Pavilion 13, VDNG. Side facade. Pictured: Ai Weiwei's artwork Three Perfectly Proportioned Spheres and Camouflage Uniforms Painted White, commissioned by Ribbon International. Photography by Oleksii Petrov. Courtesy of ФОРМА

  • Main exhibition hall

    Main exhibition hall

    © Renovation of Pavilion 13, VDNG. Interior view. Pictured: Ai Weiwei's artwork Three Perfectly Proportioned Spheres and Camouflage Uniforms Painted White, commissioned by Ribbon International. Photo by Oleg Batrakov. Courtesy of ФОРМА

  • Main facade

    Main facade

    © Renovation of Pavilion 13, VDNG. Main facade. Pictured: Ai Weiwei's artwork Three Perfectly Proportioned Spheres and Camouflage Uniforms Painted White, commissioned by Ribbon International. Photography by Oleg Batrakov. Courtesy of ФОРМА

  • Axonometric view

    Axonometric view

    © ФОРМА

  • Front view

    Front view

    © ФОРМА

  • Right view

    Right view

    © ФОРМА

  • Left view

    Left view

    © ФОРМА

  • Back view

    Back view

    © ФОРМА

The 2025 renovation project of the Pavilion 13 in Kyiv, Ukraine, sustains the originally designed international style heritage, in its emergency state, demonstrating that inherited public architecture can be thoughtfully adapted even under conditions of extreme uncertainty. The renovation focused on assembling essential infrastructural systems to ensure the building’s long-term functionality. By avoiding unnecessary replacements and keeping the original structure, the project creates a case study on how to engage with modernist architectural heritage without erasing its character or forcing it into a new mold.  Rather than striving for a fixed “final version,” we envision the pavilion as an adaptable architectural structure.

Authors

Oleksii Petrov, Iryna Miroshnykova,

Collaborators

Fund: Ribbon International
  • Program

    Culture

  • Labels

    Culture Centre

  • Site area

    2500 m²

  • Client

    RIBBON International LLC

  • Total gross floor

    1000 m²

  • Cost

    210 €/m²

The pavilion is part of a larger complex built 1952–1958 during Kyiv’s postwar reconstruction, designed to showcase industrial achievements with orchards and landscaped areas. Completed in 1967 as Pavilion 13 (Coal) by S.S. Pavlovsky and Kyiv ZNDIEP, it features interlocking strata: a glass ground-floor pavilion and a lower chamber, originally a coal-mine model, now used as a bomb shelter. It's international-style geometry, rectilinear forms, and anthracite facade. Renovation, developed by ФОРМА in 2021 and realized in 2024 with Ribbon International, now transforms it into an interdisciplinary centre for contemporary art, experimental music, and architecture.

The project faced several challenges, both technical and contextual. The building’s structure was stable, but its heating, water, and sewage systems had been out of service for more than fifteen years, and the interiors suffered from leaks, dampness, and material degradation. Energy efficiency was difficult to achieve due to the original construction, and accessibility had to be improved without disrupting the modernist spatial logic. The renovation took place during the full-scale invasion of Ukraine, which complicated logistics and coordination. The strategy focused on restoration rather than reconstruction — carefully upgrading technical systems, improving insulation, and ensuring barrier-free access while preserving the building’s authentic form and materials. The renewed space was designed to support flexible, interdisciplinary cultural use, balancing heritage value with contemporary functionality.

Sustainability was addressed through a strategy of reuse rather than replacement: the existing structural frame was retained, reducing embodied carbon. The original steel and concrete structures were preserved and locally reinforced where corrosion or fatigue had been identified. Due to its extensive glazed surfaces, the building benefits from a greenhouse effect that minimizes the need for artificial lighting. Engineering systems, electrical and sewage, were renewed. New lighting fixtures were installed to optimize both energy efficiency and visual comfort, and the sanitary units were reconfigured to include accessible facilities. Flooring was replaced to ensure durability and ease of maintenance. The façade was also renewed while preserving the original plastering technique characteristic of the period, maintaining the building’s authentic.


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