Other Monuments
Guillermo de Alfonso Sánchez. Sant Cugat del Vallès, Spain
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Name of work in English
Other Monuments
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Name of work in original language
Altres monuments: monumentalització de la pedrera de Can Rovira a travès d'un complex fúnebre
Prize year
Young Talent 2025
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Work Location
Sant Cugat del Vallès, Spain
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Author/s
Guillermo de Alfonso Sánchez
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School
Vallès School of Architecture - Polytechnic University of Catalonia.
Sant Cugat del Vallés, Spain
Young Talent 2025 YT Finalists
Other Monuments
Monumentalization of the Can Rovira quarry through a funeral complex
Program
Funerary
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Labels
Crematorium · Cemetery · Memorial
Montcada Reixac is compressed by a network of infrastructures. Noise. Constant motion. Smoke. Large, insensitive elements shape the territory, designed and ruled by machines. Among them, the Can Rovira quarry stands out as the only one that is dead. Silence. Life. The project revolves around the symbolic construction of a monument through the ritual of death, evoking a link between an industrial past and a quieter, more humane future. Proposal envisions a funeral complex where architecture restores the lost bond between body and territory. Light and shadow. Flowers and stones. Life and death.
Can Rovira is an abandoned granite quarry, where stone was extracted through controlled blasting. The project transforms the site into a funerary complex, addressing the need for a new crematorium after the closure of the one in Vallvidrera. Cremation, columbariums, and the funerary complex, with the crematorium as its central element, establish a dialogue between the quarry’s monumental and human scale, exploring the relationship between architecture, landscape, and memory. A key aspect is material reuse. The quarry contains scattered granite stones of various sizes, predominantly large ones. These are repurposed into massive blocks that act as architectural elements, working through compression. Large excavated cavities serve as lost formwork for casting, later becoming fertile ground for gardens and integrating nature into the memorial space. The implantation strategy focuses on occupying the terrace’s concave areas, enclosing them to establish a clear front and back: the built environment in front, a contemplative garden behind. The crematorium, placed in the most accessible flat area, consists of a cluster of spaces oriented towards the deceased, organized into served and servant spaces. Heat recovery is integrated into the design. Residual heat from cremation is harnessed to acclimatise the building via an underground air circulation system, reminiscent of ancient hypocausts. The massive stone blocks provide thermal inertia, storing and gradually releasing energy. Additionally, the section geometry and the Venturi effect optimize heat distribution. The architecture interacts with the quarry’s rugged stone walls, creating a contrast between regular and irregular forms. Gardens flourish behind the buildings, reinforcing the dialogue between life, death, and renewal.