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New HELEXPO Gates

Alexandros Skouvaklis, Katerina Tsigarida Architects, Nicos Kalogirou. Thessaloniki, Greece

  • Name of work in English

    New HELEXPO Gates

  • Name of work in original language

    New HELEXPO Gates

  • Prize year

    EUmies Awards 2001

  • Work Location

    Thessaloniki, Greece

  • Studio

    Alexandros Skouvaklis, Katerina Tsigarida Architects, Nicos Kalogirou

EUmies Awards 2001 Shortlisted

  • © Ingo Duennebier

  • © Ingo Duennebier

  • © Ingo Duennebier

  • © Ingo Duennebier

Authors

Alexandros Skouvaklis, Katerina Tsigarida, Nicos Kalogirou,

Collaborators

Collaborator (office): Christos Tangos, Charis Christodoulou, Tassos Tantsis, Nikos Balios; Construction company: Not Defined DOMOTECHNIKI SA; Structural engineering: Romilos Ntonas; Engineering: Ioannis Papanayiotou
  • Program

    Commerce

  • Completion

    2000

Despite the location of the HELEXPO fairgrounds next to the city centre, the area had remained closed to the citizens. The project for the new gates responded to the need to regenerate the entrance points to the fairgrounds as well as to make HELEXPO more accessible to the wider public of the city.

Three new gate buildings have been designed overlooking significant urban squares that have also been reconfigured, incorporating existing architectural elements and artwork of the 60s. The new buildings have been designed to function mainly as gates for the public and informationreception areas for the international fairs participants with all relevant services that could be open to the city as well. All three of them are based on the same typology although differentiated according to the specificity of their location. These freestanding simple volumes are like prisms both translucent and transparent with a central opening as the passage point diluting the border between closed and open space. The metal framed glass walls covered with inclined, perforated copper panels lend a sense of solidity as well as transparency that changes in relation to natural and artificial lighting thereby producing a different effect during day and night.

The urban squares where the gate buildings are situated are configured as typical hard-surface mediterranean plazas with the dynamic and harmonic juxtaposition of marble, cast-concrete and green levels, as well as water and light. The overall strict geometry discreetly demarcates movement and pause and provides the exact position for every element in the whole.


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