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Neue Nationalgalerie

David Chipperfield Architects. Berlin, Germany

  • Name of work in English

    Neue Nationalgalerie

  • Name of work in original language

    Neue Nationalgalerie

  • Prize year

    EUmies Awards 2022

  • Work Location

    Berlin, Germany

  • Studio

    David Chipperfield Architects

EUmies Awards 2022 Shortlisted

  • View from Potsdamer Straße

    View from Potsdamer Straße

    © Simon Menges

  • View from Sigismundstraße

    View from Sigismundstraße

    © Simon Menges

  • Exhibition hall

    Exhibition hall

    © Simon Menges

  • New Cloakroom in the former painting storage space

    New Cloakroom in the former painting storage space

    © Simon Menges

  • Staircase hall after the renovation

    Staircase hall after the renovation

    © Thomas Bruns

  • Site plan

    Site plan

  • Ground floor plan with section lines, historic and new

    Ground floor plan with section lines, historic and new

  • Lower ground floor plan, historic and new

    Lower ground floor plan, historic and new

  • Section AA, historic and new

    Section AA, historic and new

  • North elevation, historic and new

    North elevation, historic and new

  • Facade horizontal section

    Facade horizontal section

  • Facade vertical section

    Facade vertical section

  • Panel A2

    Panel A2

Neue Nationalgalerie refurbishment The Neue Nationalgalerie in Berlin is an icon of twentieth-century architecture. Planned and built from 1963 to 1968, the steel and glass temple on a natural stone podium is the only building designed by Ludwig Mies van der Rohe in Europe after his emigration to the USA.

Authors

David Chipperfield, Martin Reichert,

Collaborators

Collaborator (external): BAL Bauplanungs und Steuerungs GmbH, Berlin; Structural engineering: GSE Ingenieurgesellschaft mbH Saar, Enseleit und Partner, Berlin; Building technology: Ingenieurgesellschaft W33 mbH with Domann Beratende Ingenieure GmbH, Berlin; Project management: KVL Bauconsult GmbH, Berlin; Landscape architect: TOPOS Stadtplanung Landschaftsplanung Stadtforschung, Berlin; Façades: DS-Plan, Stuttgart; Lighting: Arup Deutschland GmbH, Berlin; Building physics: Müller BBM GmbH, Berlin; Fire consulting: HHP West Beratende Ingenieure GmbH, Bielefeld
  • Program

    Culture

  • Labels

    Museum

  • Site area

    22011 m²

  • Client

    Stiftung Preußischer Kulturbesitz represented by the Bundesamt für Bauwesen und Raumordnun

  • Total gross floor

    13900 m²

  • Completion

    2021

  • Cost

    4540 €/m²

After almost fifty years of intensive use, the listed building required a comprehensive refurbishment. In the course of the refurbishment, the disabled access, the handling of the art and service facilities for visitors such as the cloakroom, café and museum shop had to be improved. Air conditioning, artificial light and security had to be adapted to today's technical standards.

The key to the complex planning process for this project was finding a suitable balance between monument conservation and the building’s use as a modern museum. The unavoidable interventions to the original fabric within this process had to be reconciled with preserving as much of the original substance as possible. The necessity of an extensive repair of the reinforced concrete shell and the complete renewal of the technical building services required an indepth intervention. In order to expose the shell construction, around 35,000 original building components, such as the stone cladding and all the interior fittings, were dismantled. After their restoration and modification where necessary, they were reinstalled in their precise original positions. The aim was to preserve or restore the appearance of the building. Though the essential additions remain subordinate to the existing design of the building using, they are nevertheless discreetly legible as contemporary elements. The refurbishment project does not represent a new interpretation, but rather a respectful repair of this landmark building of the International Style.

The basic building structure, such as the shell and the steel construction of the roof and the façade, was preserved and renovated in situ. As far as the finishing materials are concerned, a distinction can be made between timeless materials such as natural stone (granite and marble), brown oak, steel, bronze and glass and time-bound materials such as the modular suspended ceilings in the basement, the carpeting and woodchip wallpaper in the collection rooms and the curtains.The materials of both categories were considered equally important and were preserved or reproduced in consideration of the requirements. A conscious decision was made not to visually "freshen up" the appearance of the monument. Traces and damage due to use and age were accepted, and major damage was repaired using the methods customary in monument conservation. The material canon of the newly created public spaces, cloakroom and museum shop, is based on the timeless materials of the existing building - natural stone, brown oak and steel. The cloakroom and shop are recognisable as new spaces by leaving the raw concrete walls and ceilings of the rooms formerly used as storage spaces.


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