Archive

Museum of Modern Literature

David Chipperfield Architects. Marbach, Germany

  • Name of work in English

    Museum of Modern Literature

  • Name of work in original language

    Literaturmuseum der Moderne

  • Prize year

    EUmies Awards 2007

  • Work Location

    Marbach, Germany

  • Studio

    David Chipperfield Architects

EUmies Awards 2007 Nominees

  • Entrance Pavilion

    Entrance Pavilion

    © Christian Richters

  • Outside Loggia

    Outside Loggia

    © Christian Richters

  • View from the Valley

    View from the Valley

    © Christian Richters

  • Exhibition Space

    Exhibition Space

    © Christian Richters

  • East Facade

    East Facade

    © Christian Richters

  • Hallway to Temporary Exhibition

    Hallway to Temporary Exhibition

    © Jörg von Bruchhausen

  • Floor Plan Exhibition Level

    Floor Plan Exhibition Level

    © David Chipperfield Architects, Berlin

  • Longitudinal section

    Longitudinal section

    © David Chipperfield Architects, Berlin

Authors

David Chipperfield, Martin Reichert,

Collaborators

Collaborator (office): Harald M, Martina Betzold, David Chipperfield Architects, Berlin, Andrea Hartmann, David Chipperfield Architects, Berlin, Christian Helfrich, David Chipperfield Architects, Berlin, Franziska Rusch, David Chipperfield Architects, Berlin, Tobias Stiller, David Chipperfield Architects, Berlin, Vincent Taupitz, David Chipperfield Architects, Berlin, Mirjam von Busch, David Chipperfield Architects, Berlin, Barbara Koller, David Chipperfield Architects, Berlin, Laura Fogarasi, David Chipperfield Architects, Berlin, Hannah Jonas, David Chipperfield Architects, Berlin; Construction manager: Matias Wenzel, Wenzel+Wenzel Freie Architekten, Karlsruhe, Roland G, Bernhard Eggert, Wenzel+Wenzel Freie Architekten, Karlsruhe, Ulla Ittensohn, Wenzel+Wenzel Freie Architekten, Karlsruhe, Holger Weinbach, Wenzel+Wenzel Freie Architekten, Karlsruhe, Isabell Finke, Wenzel+Wenzel Freie Architekten, Karlsruhe, Jeanine Moline-Brehm, Wenzel+Wenzel Freie Architekten, Karlsruhe, Corina Wacker, Wenzel+Wenzel Freie Architekten, Karlsruhe; Project management: Dierk Mutschler, Drees & Sommer Projektmanagement und Bautechnische Beratung, Stuttgart, Andreas Schele, Drees & Sommer Projektmanagement und Bautechnische Beratung, Stuttgart, Kerstin Schwan,Drees & Sommer Projektmanagement und Bautechnische Beratung, Stuttgart; Structural engineering: Josef Seiler, Ingenieurgruppe Bauen, Karlsruhe, Gerhard Eisele, Ingenieurgruppe Bauen, Karlsruhe, Markus Filian, Ingenieurgruppe Bauen, Karlsruhe; Mechanical: Ernst G, Wolfgang Klein, Jaeger, Mornhinweg + Partner Ingenieurgesellschaft, Stuttgart, Stefanie Klose, Jaeger, Mornhinweg + Partner Ingenieurgesellschaft, Stuttgart; Electrical: Sigmund Burrer, Ibb Burrer + Deuring Ingenieurb, Otto Riedel, Ibb Burrer + Deuring Ingenieurb
  • Program

    Culture

  • Completion

    2006

The new museum is located in Marbach's scenic park, on top of a rock plateau overlooking the valley of the Neckar River. As the birthplace of the dramatist Friedrich Schiller, the town's park already holds the National Schiller Museum, built in 1903, and the Archive for German Literature, built in the 1970s.

Displaying artefacts from the extensive 20th century collection from the Archive for German Literature, notably the original manuscripts of Franz Kafka's 'The Trial' and Alfred Döblin's 'Berlin Alexanderplatz', the museum will also provide panoramic views across and over the distant landscape. Embedded in the topography, the volume of the new museum reveals different elevations depending on the context. By utilising the steep slope of the site, terraces allow for the creation of very different characters & an intimate, shaded entrance on the brow of the hill facing the National Schiller Museum with its forecourt and park, and a grander, more open series of tiered spaces facing the valley below. A pavilionlike volume is located on the highest platform of the terraces, providing the entrance to the museum.

The interiors of the museum reveal themselves the more one descends down through the loggia, foyer and staircase spaces, preparing the visitor for the dark timber-panelled exhibition galleries, illuminated only by artificial light due to fragility and sensitivity of the works on display. At the same time, each of these environmentally controlled spaces borders onto a naturally lit gallery, so as to balance views inward to the composed, internalised world of texts and manuscripts with the green and scenic valley the other side of the glass. A clearly defined material concept using solid materials (fair-faced concrete, sandblasted reconstituted stone with limestone aggregate, limestone, wood, felt and glass) gives the calm, rational architectural language a sensual physical presence.


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