Archive

Municipal Library Labin

Gamulin / Grubiša / Prese?an / Žalac. Labin, Croatia

  • Name of work in English

    Municipal Library Labin

  • Name of work in original language

    Gradska knjižnica Labin

  • Prize year

    EUmies Awards 2015

  • Work Location

    Labin, Croatia

  • Studio

    Gamulin / Grubiša / Prese?an / Žalac

EUmies Awards 2015 Nominees

  • MAIN SQUARE

    MAIN SQUARE

    © Damir Gamulin

  • INTERIOR_MUNICIPAL _LIBRARY_LABIN

    INTERIOR_MUNICIPAL _LIBRARY_LABIN

    © Ivan Dorotic

  • ENTRANCE_HALL

    ENTRANCE_HALL

    © Ivan Dorotic

  • CHILDREN_ AND_ADULT_AREA

    CHILDREN_ AND_ADULT_AREA

    © Ivan Dorotic

  • STAIRCASE_CAFE__MULTIPURPOSE_HALL

    STAIRCASE_CAFE__MULTIPURPOSE_HALL

    © Ivan Dorotic

  • FLOOR_PLANS

    FLOOR_PLANS

  • SITE_PLAN

    SITE_PLAN

  • ENTRANCE SIGNAGE

    ENTRANCE SIGNAGE

    © Damir Gamulin

Authors

Ivana Žalac, Margita Grubiša, Damir Gamulin, Igor Prese?an,

Collaborators

Structural engineering: Sasa Mitrovic; Electrical: Marjan Kokic; Mechanical: Jasna Zdunic; Climatisation: Ivica Grgic; Furniture: Nenad Caric; Lighting: Nino Kuster, Marijana Milevoj; Building physics: Natasa Hrsan; Fire consulting: Milan Carevic; Others: Dejana Zagorac; Construction company: Boris Ferk; Others: Anamarija Luksic
  • Program

    Education

  • Completion

    2013

MUNICIPAL LIBRARY AND SQUARE IN LABIN Transformation of a mining complex into the region's new cultural and memorial center gave a new life to the old town of Labin. The local mining community had been an instigator of social change even before the region's industrialization, starting with an uprising of a Labin Republic in 1921. What followed was a development of the mining industry, from its pre-industrial beginnings to the industrialization and colonization during the fascist regime, to the age of greatest production in the communist Yugoslavia. Failing to make profit, the mine was closed in 1988/89, ending up privatized and ruined in the chaos of the war torn Croatia. During the same time, an idea of a subterranean town was born. The Underground City idea was at first seen as controversial and utopian, only to be accepted later as a Labin's own brand. MATRA, the Berlage Institute's program supporting social change in Central and Eastern Europe, targeting overlooked areas of the post-socialist transition period. In Labin, the local community joined in, including the town mayor, a former miner himself, along with conservationists and independent NGOs. The project finally turned real with a lunch of an open architecture competition wich program (multimedia center, city library, museum and the Underground City) was created by an NGO as a connecting point between the professionals and local community. The award-winning competition entry suggested a mobility inversion. A new entrance square was to be formed, with a Šoht (shaft elevator) as an iconic element to be adjusted to the new demands, along with the activation of the rooftop as a new platform for urban living. The first phase, turning part of the complex into municipal library and square, was completed using finances from the funds for renovation of totalitarian regimes' architectural heritage. The square's industrial character was re-interpreted with contemporary means. The gravel-covered work areas have been re-articulated, using particles of various sizes and making the found remains of the mine railway stand out. Using one and the same material with varying textures, a homogenous surface was created, announcing new movements and usages, while keeping the memory of the old intact. The new urban equipment keeps the industrial spirit alive, using elementary materials such as railroad ties and steel.

Two contrasting, equally expressive areas bring the library's interior and the service areas together. The library service areas are referring to the black, hermetic, mining atmosphere, contrasted by the ethereal spaces of the new reading room. A gallery acting as both café and an exhibiting space is really a contemporary steel structure inserted in, deliberately designed to stay apart from the old structure, with no intention to 'blend in'. The fragments of original covering and equipment, combined with the newly designed elements, now become permanent exhibits.

Such a design approach is indeed a commentary on the history of the space, i.e. on all the phases of the mine's existence & from the Italian regime, socialist era all the way till today, with each phase leaving its marks on the building. The sustainability of the building is based on the 're-use factor'; new spatial resources are not being built. Thus, the transformation of the heritage was done by bringing in the contemporary systems and elements as a new layer, while, at the same time, preserving the area's spatial identity. In spite of the pressures from tourism and commercialization, the project's priority has remained & the public interest. The Labin Municipal Library was envisioned as a sustainable hybrid of industrial archaeology, culture, education, entertainment, tourism, becoming a place of meeting between various generations and users. size: library 1300 m²; outdoor 5200 m² cost: library 800 €/m²; outdoor 200 €/m²


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