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Lewis Glucksman Gallery, Univerity College Cork

O'Donnell + Tuomey. Cork, Ireland

  • Name of work in English

    Lewis Glucksman Gallery, Univerity College Cork

  • Name of work in original language

    Lewis Glucksman Gallery, Univerity College Cork

  • Prize year

    EUmies Awards 2005

  • Work Location

    Cork, Ireland

  • Studio

    O'Donnell + Tuomey

EUmies Awards 2005 Nominees

  • Undercroft / Public route to riverside walk

    Undercroft / Public route to riverside walk

    © Dennis Gilbert

  • Podium entrance

    Podium entrance

    © Dennis Gilbert

  • Entrance hall

    Entrance hall

    © Dennis Gilbert

  • Gallery one showing highlights of UCC Collection

    Gallery one showing highlights of UCC Collection

    © Dennis Gilbert

  • Riverside walk / Campus parkland site

    Riverside walk / Campus parkland site

    © Dennis Gilbert

  • Gallery in treetops, caf

    Gallery in treetops, caf

    © Dennis Gilbert

  • First floor plan

    First floor plan

  • Second floor and section

    Second floor and section

Authors

Sheila O Donnell, John Tuomey,

Collaborators

Structural engineering: Horgan Lynch and Partners; Mechanical: Arup Consulting Engineers; Electrical: Arup Consulting Engineers; Quantity surveyor: Andrew O Keefe and Collins; Fire consulting: Cantwell Keogh; Acoustical: AWN Consulting; Construction: PJ Hegartys and Sons; Consulting: Billings Design Associated Ltd.; Project architect: Andrew Morrison; Collaborator (office): Willie Carey, Jitka Leonard, Will Dimond, Peter Carroll, Beatrix Schmidt, Kevin Donovan; Design: John Tuomey + Sheila O Donnell
  • Program

    Culture

  • Total gross floor

    2300 m²

  • Completion

    2004

The Glucksman is intended to: •Provide a cultural and artistic centre on the University campus which would link to the wider community and become an important civic space in Cork. •Provide changing exhibition galleries for exhibitions from the UCC Modern Art Collection and to allow for a wide range of travelling and special exhibitions to international standards. Provide an educational institution that promotes the research, creation and exploration of the visual arts. Located at University College Cork's main entrance gates, the building includes display spaces, lecture facilities, a riverside café and gallery shop. PODIUM The Podium is the point of access up to the Gallery and down to the Cafe. The Entrance hall opens onto the Podium which intersects with the route of pedestrian approach from the Main Avenue and the riverside walk. The podium is clad in limestone which relates the new building to the architectural language of the campus. It emerges from the limestone escarpment like a manmade extension of the natural landscape. Acting as a pier between the main avenue and the river, it is both landscape and building, plinth and pathway. GALLERY The Gallery is raised among the trees in an interlocking suite of rooms with selected views up and down the river into the trees and towards the campus. The timber clad Gallery is intended to be understood as a wooden vessel which resonates with its woodland site. Gallery spaces are interconnected in plan and section to provide a variety of scale and lighting conditions appropriate to the exhibition of a wide range of art works and artefacts. At the core of the gallery sequence is a suite of close control environmentally conditioned spaces, for museum standard display conditions and multi-media and acoustic performance. CAFE The Cafe opens towards the West into the parkland between the river and the limestone escarpment, providing views from the Lower Ground to the college above.

LANDSCAPE Sir Thomas Deane's 1854 design for a neogothic quadrangle, dramatically sited on a wooded escarpment above the water meadows of the river Lee, is an important monument of picturesque architecture in Ireland. The Lower Ground grazing meadows, originally crossed by streams and a mill race, were reclaimed and drained at the end of the nineteenth century. The new building occupies a minimal footprint between mature trees which previously encircled two disused tennis courts. By building tall, at the height of the trees, the bulk of the building is reduced and the parkland setting of the University is conserved.

CONSTRUCTION The base of the building is a limestone clad concrete structure with galvanised steel windows cut into the solid plinth. Timber clad gallery spaces are supported on a concrete 'table' structure cantilevered from columns to protect the root structure of the surrounding trees. Granite aggregate concrete was sandblasted to reveal reflective mica in the surface of the structure. Angelim de Campagna, a sustainably sourced hardwood, is bent around the external envelope of the gallery structure with galvanised steel bay windows peeling out from the wall surface. Services are routed in the thickness of the walls and floors to minimise extraneous visual intrusion in the gallery spaces. The intention is that the natural finish materials (sawn limestone, galvanised steel and untreated timber) should age and weather into the landscape.


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