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Kunst Museum Ahrenshoop

Staab Architekten. Ahrenshoop, Germany

  • Name of work in English

    Kunst Museum Ahrenshoop

  • Name of work in original language

    Kunstmuseum Ahrenshoop

  • Prize year

    EUmies Awards 2015

  • Work Location

    Ahrenshoop, Germany

  • Studio

    Staab Architekten

EUmies Awards 2015 Nominees

  • Kunstmuseum Ahrenshoop

    Kunstmuseum Ahrenshoop

    © Stefan Müller

  • Kunstmuseum Ahrenshoop

    Kunstmuseum Ahrenshoop

    © Stefan Müller

  • Kunstmuseum Ahrenshoop

    Kunstmuseum Ahrenshoop

    © Stefan Müller

  • Kunstmuseum Ahrenshoop

    Kunstmuseum Ahrenshoop

    © Stefan Müller

  • Kunstmuseum Ahrenshoop

    Kunstmuseum Ahrenshoop

    © Stefan Müller

  • Kunstmuseum Ahrenshoop

    Kunstmuseum Ahrenshoop

    © Stefan Müller

  • Ground Floor

    Ground Floor

  • Sectional

    Sectional

Authors

Volker Staab,

Collaborators

Project architect: Per Pedersen, Anke Hafner; Collaborator (office): Sonja Hehemann, Michael Zeeh, Daniel Angly, Marcus Ebener, Hagen Gro, Johan Jensen, Manuela Jochheim, Zuzanna Kaluzna, Dalia Karg, Dominik Schendel, Tobias Steib, Fabian Weber, Sabine Zoske, Nicole Braune; Landscape architect: Not Defined Levin Monsigny Landschaftsarchitekten; Structural engineering: Not Defined ifb frohloff staffa k; Electrical: Not Defined PHA Planungsb; Lighting: Not Defined Licht Kunst Licht; Building physics: Not Defined M
  • Program

    Culture

  • Completion

    2013

The key to our architectural concept for the new art museum can be found in the history of the Ahrenshoop artists' colony. Despite these artists' contemporary outlook, a deep connection with the landscape and the region's architectural tradition can be felt in both their work and their homes. The concept for the museum attempts to transform this rural building type into a contemporary museum facility. Inspired by a picture of a group of thatchedroof houses, a cluster of oneroom buildings was developed, each holding a single exhibition space. The melding of the roof forms creates a sculptural ensemble that unites these seemingly freestanding houses into a cohesive complex. The building thus inserts itself matteroffactly into the scale of the neighbourhood and yet projects a novel metaphorical image befitting the museum's importance beyond the confines of the region. The materials for the roof and façade surfaces were chosen for their similarity to the linear structure of natural reeds. Oxidation will over time transform the brass panels with their variably canted ribs to approximate the colour of the surrounding thatched roofs. Entering the building through a vestibule, the visitor arrives in a central, singlestorey foyer, which gives onto all the public areas. Views of the landscape are staged through carefully positioned windows. The reception desk, museum shop and cloak room are arranged around this central space, which is illuminated by a large skylight. The foyer doubles as an event space. A small rest area flanking a second entrance on the west side gives onto a southfacing terrace opening onto the countryside. The exhibition areas are also accessed directly from the foyer and are all wheelchair accessible. With the exception of a small gallery, the exhibition spaces receive natural daylight through horizontal skylights arranged along the roof ridge. These are equipped with a special prism system that reflects direct light, allowing only diffused zenith light to enter. Artificial lighting is available when necessary. The energy concept for the necessary heating and cooling uses geothermal energy via earth probes inserted up to 99 metres deep, along with floor and wall heating. Rainwater is diverted from the roof and channelled through filters into the property's own biotope. The museum was built on the initiative of the society of friends of Kunstmuseum Ahrenshoop. The project was financed through donations and via funding from the federal and state governments. Usable floor area 900 sqm


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