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Keila Song Festival Grounds

Mareld, molumba. Keila, Estonia

  • Name of work in English

    Keila Song Festival Grounds

  • Name of work in original language

    Keila Lauluväljak

  • Prize year

    EUmies Awards 2026

  • Work Location

    Keila, Estonia

  • Studio

    Mareld, molumba

EUmies Awards 2026 Nominees

  • The eventspace is surrounded by everyday leisure uses and sports activities

    The eventspace is surrounded by everyday leisure uses and sports activities

    © Tõnu Tunnel

  • The aim of the landscape architects was to use biodiverse plants on hills that form the central area

    The aim of the landscape architects was to use biodiverse plants on hills that form the central area

    © Tõnu Tunnel

  • from the main entrance point, the stage appears as a floating green saucer

    from the main entrance point, the stage appears as a floating green saucer

    © Tõnu Tunnel

  • The pedestrian walkways linger around the circular public seating area

    The pedestrian walkways linger around the circular public seating area

    © Tõnu Tunnel

  • The design is based on carving curved spaces into the green park

    The design is based on carving curved spaces into the green park

    © Tõnu Tunnel

  • Over time, the green meadows and different planting areas will provide a natural scenery for events

    Over time, the green meadows and different planting areas will provide a natural scenery for events

    © Tõnu Tunnel

  • architectural siteplan

    architectural siteplan

    © molumba

  • initial concept

    initial concept

    © molumba

  • cross section of the event venue

    cross section of the event venue

    © molumba

  • groundfloor plan of the underground program and tribunes

    groundfloor plan of the underground program and tribunes

    © molumba

Keila has played a key role in leading the song and dance festival tradition in Harju County. On the other hand, the park where the groundsare located is an important bearer of local identity. So, the town wished to replace the outdated stage and connect it with the town as a whole.

Authors

Martin Allik, Häli-Ann Tooms, Johan Tali, Karli Luik, Helina Maalt, Priit Rannik, Harry Klaar, Annika Lill,

Collaborators

Landscape: Kersti Lootus - Lootusprojekt; Landscape: Marge Kõrgekuhi - Lootusprojekt; Structure: Margus Allik - MG inseneribüroo; Structure: Vadim Mastepan - KB21; Acoustics: Kaupo Kõrven - Akustikainsener; rendering artist: Harri Kaplan - molumba
  • Program

    Landscape

  • Labels

    Facilities · Gardens & Parks · Structure

  • Site area

    50000 m²

  • Client

    Keila city

  • Total gross floor

    700 m²

  • Cost

    90 €/m²

The Outdoor stage and surrounding park was designed to be used also for other events as well as daily activities all year round. This meant a series of bold decisions (a stage suitable for various events, circular audience paths, integrated ice rink for winter) that shaped the outcome we see today (that does not necessarily resemble a traditional stage).

The landscape architecture was based on the idea of blending various forms and structures (stands, dressing rooms, toilets etc) into the landscape, occasionally hiding underground and appearing again in the form of indentations and incisions. The paths, view corridors and functions are drawn into the landscape as a network of elegant curves. It is best viewed in motion with the various landscape vistas opening up and allowing the seemingly centrally positioned stage to create different spatial situations and emotions that are often orchestrated by site-specific landscaping.

Given that the architecture was not only curvilinear in plan but also in three dimensions, complex geometry had to be proactively modeled throughout the design process. This often required the use of parametric tools and various 3D software environments. Modeling began with the shaped surfaces of the concrete retaining walls and extended all the way to the uniquely shaped CLT panels forming the roof of the stage. Many design and structural details had to be developed and stitched together during the design process itself. The steel structure of the stage roof deserves a separate mention. In the final solution, no diagonal bracing was allowed between the columns supporting the roof. Due to the geometry, the wind load on the thick, grass-covered roof had to be simulated and interpreted multiple times. Several structural solutions required true “out-of-the-box” thinking—both figuratively and literally—to achieve the final rounded form.


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