GOLDEN CANAL
Kate?ina Pr?chová.
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Name of work in English
GOLDEN CANAL
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Name of work in original language
Dead and Alive
Prize year
Young Talent 2020
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Author/s
Kate?ina Pr?chová
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School
Faculty of Architecture - Czech Technical University.
Prague, Czechia
Young Talent 2020 YT Finalists
GOLDEN CANAL
Dead and Alive
Program
Landscape
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Labels
Regeneration · Land art
This thesis is a proposition for the renewal of the human-landscape relationship. It deals with the specific landscape in South Bohemia with the Golden Canal serving as its spine. By referring to historical and current focal points and lines along the canal I devise a web of findings to help people in becoming more interested in this landscape.
To understand the human-landscape relationship I observed, mapped, and described the cohesion and interrelatedness of the canal, its environs, and the people that visit it or live along its banks. I work systematically: from the charting of a significant portion of T?ebo?sko to individual kilometres. I followed the persisting signs of the relationship such as the remains of settlements, baroque statues, or inconspicuous footpaths. I was interested in the variability of the atmosphere along the canal. I followed the varying degree of biodiversity. The story is completely different in each village and town: it flows through watermills but also merely lines the barns. The levees are strengthened in both the towns and the villages. The banks in the forests are soft and unconsolidated. The canal is not only the spine of the aquatic ecosystem but also a guide through T?ebo?sko. Nonetheless, it is rarely used for this purpose. I tried to figure out the connecting elements which accompany the canal along its course and which would facilitate orientation and historical understanding. I analysed the account of these elements in two books: the “Dead” and the “Alive”. While Dead introduces the individual places and the canal itself, Alive draws attention to a number of points and lines and forms a comprehensive overview of new findings. In Alive I continue working with focal points and lines by employing three processes: I revive the ceased ones, I create new ones by suggesting the transformation of the defunct ones, and highlight the persisting. I intentionally do not clearly dinstinguish between them. This forms a web of layers. Through these layers I make the Golden Canal a lively place involving people again as its devisers and fulfilling the condition for its healthy and efficient functioning. It was key to define the consequences of the relationship between the canal and people for the canal itself. The diversity and heterogeneity of a landscape which has been influenced by people but maintained a very naturalistic character motivated me to create a handbook to help understanding its value and beauty.