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Extension of DOX Centre for Contemporary Art

Petr Hájek ARCHITEKTI. Prague, Czechia

  • Name of work in English

    Extension of DOX Centre for Contemporary Art

  • Name of work in original language

    Rozšíření centra současného umění DOX

  • Prize year

    EUmies Awards 2019

  • Work Location

    Prague, Czechia

  • Studio

    Petr Hájek ARCHITEKTI

EUmies Awards 2019 Nominees

  • The complex of tree buildings in the yard

    The complex of tree buildings in the yard

    © Benedikt Markel

  • Rooftop terrace and audithorium

    Rooftop terrace and audithorium

    © Benedikt Markel

  • Multifunctional hall includes a telescopic staircase

    Multifunctional hall includes a telescopic staircase

    © Benedikt Markel

  • The figure in the chamber shows the volume of the space

    The figure in the chamber shows the volume of the space

    © Benedikt Markel

  • School of architecture ARCHIP and the main entrance

    School of architecture ARCHIP and the main entrance

    © Tomáš Vocelka / Economia

  • Situation

    Situation

  • Floor plans

    Floor plans

  • Section

    Section

  • Detail

    Detail

  • Axonometry

    Axonometry

  • Panel

    Panel

The DOX+ complex of buildings expands the DOX Centre for Contemporary Art in Prague. The original complex focusing on exhibition areas was expanded by areas for dance, music, film and a school of architecture. The hall has variable acoustics and can be compared to a musical instrument which can be tuned depending on the needs of the specific performance.

Authors

Petr Hájek, Martin Stoss, Tereza Keilova, Cornelia Klien, Benedikt Markel,

  • Program

    Mixed use - Cultural & Social

  • Labels

    Aggregation · Art · University

  • Site area

    2600 m²

  • Client

    Leoš Válka

  • Total gross floor

    5450 m²

  • Completion

    2018

DOX+ consist of three buildings: renovated administrative with the school of architecture, new experimental music and dance hall and new dance rehearsal room. The buildings are a single unit from the architectural aspect and this principle is symbolically expressed by the unified grey colour and fluid interconnection of all parts into one whole. As a result, the complex can be perceived as a single structured statue.

The administrative area, with entrance lobby, club and restaurant, serves as the ARCHIP school of architecture. This building originated on the basis of renovation of the original building from the 1970s, and the typological arrangement of its inner core and open layout has been preserved. Renovation of the interior respects the materials used at the time the building was constructed. The new hall has variable acoustics and can be compared to a musical instrument which can be tuned depending on the needs of the specific performance. The rotating threewalled underceiling panels and foyers are used for this. The threewalled panels are supported by a sound absorbent, diffuse and reflective surface and can be rotated to modify the acoustic properties of the ceiling, thereby changing the acoustic parameters of the entire hall. In order to extend the fadeout effect, the main hall is surrounded by a ring of foyers which can be used as fadeout chambers in the case of special performances. The addition of these areas to the volume of the main hall results in a significant extension of the fadeout period particularly in the lower frequencies.

The experimental music and dance hall and dance rehearsal room are cast using béton brut. The reinforced concrete buildings are “clothed” in a soft façade which protects them against freezing or overheating. The insulating wool is covered in a flexible insulating membrane which is anchored to the concreted in the pattern of a regular grid. The façade absorbs residual noise escaping from the hall and reduces the acoustic burden on the residential courtyard. Thanks to the pattern, which is based on furniture upholstery, the halls are reminiscent of two large sofas. An upholstered furniture pattern was chosen for its effectiveness in distributing tensile forces along the surface of the fabric. The roof of the hall is a grassy meadow used for relaxation, outdoor installations or simply as a place for outdoor performances. There is a suspended bridge over the auditorium for acrobatic dancing. The dance rehearsal room has a floor plan with dimensions identical to the stage in the main hall. It “dances” above the inner courtyard on diagonal columns. The geometry of these columns is not random, but avoids the traffic plan and technical installations below the floor tile.


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