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ESAC - Institute of Circus Arts

Atelier d’Architecture Daniel Delgoffe. Brussels, Belgium

  • Name of work in English

    ESAC - Institute of Circus Arts

  • Name of work in original language

    ESAC - Ecole supérieure des arts du cirque

  • Prize year

    EUmies Awards 2019

  • Work Location

    Brussels, Belgium

  • Studio

    Atelier d’Architecture Daniel Delgoffe

EUmies Awards 2019 Nominees

  • View of the training hall

    View of the training hall

  • West elevation

    West elevation

  • View of the creative space and theatre

    View of the creative space and theatre

    © Samuel Defourny

  • View from the canal

    View from the canal

  • View of the dance hall

    View of the dance hall

  • Masterplan

    Masterplan

  • Ground floor

    Ground floor

  • Third-floor plan

    Third-floor plan

  • Section into the existing building

    Section into the existing building

  • Section into the new building

    Section into the new building

  • Distribution plan

    Distribution plan

  • Sectional drawings

    Sectional drawings

  • West elevation

    West elevation

  • /

    /

ESAC consists of lecture rooms, dedicated halls for training, dance, drama, acrobatics and trampolines, as well as a theatre The project is based on the grand history of circus. The traditional circus infrastructure was given an update, with an intentional nod to the way traditions have evolved and with a view to accommodating modern artistic practices.

Authors

Daniel Delgoffe,

Collaborators

Architect: Loïc Maréchal (Atelier d'Architecture Daniel Delgoffe), David Walrave, Nicolas Wulleput; Climatisation: Julien Pirsoul (ELLYPS); Structural engineering: Magaly Hirsoux (ELLYPS); Landscape architect: Virginie Pigeon (DUPAYSAGE), Sébastien Ochej; Acoustical: Eric Bruyère (ATS); Others: Thomas Loriaux (CAT-S)
  • Program

    Education

  • Labels

    Art · School

  • Client

    Service Public Francophone Bruxellois

  • Total gross floor

    4000 m²

  • Completion

    2018

  • Cost

    1046.35 €/m²

Identity The school is located in a disused boiler house and also comprises a new building. The existing building is of good quality and is a true landmark both on site and from the canal and the ring road. The new cultural mission of the site is highlighted through various tokens that by no means pull the building away from its roots. In fact, the new construction is treated like a straightforward, pure volume that ties in perfectly with the campus renovation from a deliberately contemporary perspective. Spatial features Overall, we have opted to create a ‘world’ that can be experienced to the full, with a pleasant atmosphere and a flexible set-up. A dialogue between the existing and the new elements has been created in order to preserve the memory of the place. This approach allowed us to maintain the existing building’s strong points as much as possible, such as the concrete structure In the existing building, we opted for rational solutions favouring far-reaching views and a mix of subdued, large and controlled lighting sources. The result is a compact approach that sets the space free and creates visual links between the different functions. Each activity has a dedicated space, yet all users can still see one another and feel part of a larger community. The creative space was treated like a ‘black box’ The windows were positioned low, so that the students can see the entire campus and be seen by others. As the trampoline area is right next to it, the steps can be used to shift from one space to the other, which once again showcases the incredible flexibility of the building.

Integration The school is located on the CERIA site and is organised like a campus, with objects placed on a large green carpet and set up like a large orthogonal grid positioned at an angle compared to the canal. The existing building (an old boiler house) is the exception, because it is situated parallel to the waterway, thus facing the canal landscape. In order to coherently integrate ESAC within the site and its surroundings, as well as the internal campus layout, the extension is orthogonal to the original large grid, facing the boiler house. This geometrical design is enriched further by the distinctive features of the site, particularly by the integration of the different perspectives. The spaces framed by these two buildings the old and the new structure have been designed on a more human scale and serve as a welcome and reception area.

Existing building. The load reserve liberated by the demolition work has been used to integrate new ones without having to adapt the foundations. The combination of steel and concrete has been used to minimise the clutter of new elements, benefitting space and maximising the potential for circus practices. The new floor structure serves as a support for circus apparatus. The spaces required for different practices have been modelled and placed in an optimised fashion in the existing structure, depending on their specific nature. In order to retain remnants from the past and to achieve good energy performance, we have identified different types of indoor climates and specific solutions have been applied locally. New Buildings. The structure is made of concrete in order to provide good thermal inertia and good soundproofing (the theatre can seat up to 250 persons). This solution allows the fitting of attachments for the circus equipment, to suit the particular requirements. The building is covered with green roofs and photovoltaic panels are installed to minimize the environmental footprint and the building meets the passiv criteria.


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