Archive

Elliðaár Station

Terta, Landslag. Reykjavík, Iceland

  • Name of work in English

    Elliðaár Station

  • Name of work in original language

    Elliðaárstöð

  • Prize year

    EUmies Awards 2026

  • Work Location

    Reykjavík, Iceland

  • Studio

    Terta, Landslag

EUmies Awards 2026 Nominees

  • The principles of hydropower are demonstrated in a playground with flowing water, turbines and dams.

    The principles of hydropower are demonstrated in a playground with flowing water, turbines and dams.

    © Terta

  • Warm water makes it possible to play throughout the season. Natural stone meets concrete ducts.

    Warm water makes it possible to play throughout the season. Natural stone meets concrete ducts.

    © Terta

  • Industrial meets domestic in the water-circulation plaza with oversize showers and a rainwater pond.

    Industrial meets domestic in the water-circulation plaza with oversize showers and a rainwater pond.

    © Terta

  • Aerial overview of the site.

    Aerial overview of the site.

    © Terta

  • The rebuilt barn is now part of the café, overlooking the playground, and a popular room for events.

    The rebuilt barn is now part of the café, overlooking the playground, and a popular room for events.

    © Terta

  • The Functionalist commutation building from 1937 is now a multi-functional event space.

    The Functionalist commutation building from 1937 is now a multi-functional event space.

    © Terta

  • Context map

    Context map

    © Terta

  • Site plan

    Site plan

    © Terta

  • Section A

    Section A

    © Terta

  • Section B

    Section B

    © Terta

  • Axo

    Axo

    © Terta

A derelict industrial site was transformed into a vibrant public destination for learning, culture and play within Reykjavík’s largest green area. This transformation was achieved primarily through the repurposing of existing structures, creating new and engaging spatial relationships between them.

Authors

Magnea Guðmundsdóttir, Ármann Agnarsson, Eva Huld Friðriksdóttir, Brynhildur Pálsdóttir, Svava Þorleifsdóttir,

Collaborators

Consulting: The Cultural Heritage Agency of Iceland; Collaborator (office): Birta Fróðadóttir - Birta Fróðadóttir Arkitekt; Consulting: Kristín María Sigþórsdóttir; Project management: Atli Bollason; Consulting: Helgi Páll Melsted; Lighting: Ljósark; Lighting: Liska; Structure: Hnit - consulting engineers
  • Program

    Culture

  • Labels

    Heritage · Museum · Children & Youth · Nature

  • Site area

    21000 m²

  • Client

    Reykjavik Energy

  • Total gross floor

    1850 m²

Elliðaárstöð is a decommissioned hydroelectric power station situated in what was once a rural valley on the outskirts of Reykjavík. The station manager resided on site, within a cluster of industrial and domestic structures constructed between 1921 and 1937. The site has since been reimagined as a multi-functional destination, where the history of local resource utilisation, instrumental to Reykjavík’s modernisation, is conveyed through architecture and design. The programme was developed in close collaboration between the team and the client adapting to the site’s specific character.

The commission called for a historical/technical exhibition for the municipal energy company. Following extensive dialogue with neighbouring communities and visitors to the valley, the site was re-envisioned as a public open-air, permanent exhibition. Knowledge is not imposed upon visitors, but conveyed playfully through existing features and carefully considered interventions. The design intentionally highlights the human utilisation of natural resources, emphasising the symbiotic relationship between the two. Flowing water provides a visceral sense of hydropower, while painted surface lines draw attention to the network of underground pipes. Children divert streams to create miniature reservoirs, echoing the processes of the wider valley. The project was realised through an interdisciplinary process in which design, landscape architecture, graphic design, and cultural programming were integrated with the architectural concept from the start.

Material conservation and heritage sensitivity informed the design from the beginning. The approach sought to reduce environmental impact, manage costs within a fully public project, and as a strategy to mediate the site’s layered history. Timber from the decommissioned penstock was repurposed as outdoor seating, while concrete slabs from a former water artery were re-used as surface material. Geothermal drill rods trace a path towards the river. Existing buildings were preserved in collaboration with the Cultural Heritage Agency and made publicly accessible where appropriate. The former barn was reconstructed with a new steel frame and timber cladding, linked by a glazed corridor to form a café. The former station manager’s residence was reimagined as a “home of utilities,” with each room representing a different utility. Material selections echo the utilitarian construction and architectural language of the site’s original fabric.


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