Archive

El B Cartagena Auditorium

selgascano. Cartagena, Spain

  • Name of work in English

    El B Cartagena Auditorium

  • Name of work in original language

    El B Auditorio de Cartagena

  • Prize year

    EUmies Awards 2013

  • Work Location

    Cartagena, Spain

  • Studio

    selgascano

EUmies Awards 2013 Shortlisted

  • Aerial view of the building

    Aerial view of the building

  • South facade with de promenade

    South facade with de promenade

  • Interior principal corridor

    Interior principal corridor

  • Main lobby

    Main lobby

  • Blue auditorium

    Blue auditorium

  • Meeting room

    Meeting room

  • Ground floor

    Ground floor

  • Section blue auditorium

    Section blue auditorium

Authors

José Selgas, Lucía Cano,

Collaborators

Structural engineering: Jose Romo; Acoustical: Higini Arau; Civil, soil and survey: Emilio Gonzalez; Façades: Jose Maria Lastra
  • Program

    Culture

  • Completion

    2011

El 'B' is this long construction, a body, that feeds on the heritage -the continuity- of a sites treatment: THE Cartagena harbour, which is nothing but a harbour in Cartagena, borderline of the city from the sea. A very pleasant walk can be designed for the city along this strip, a daily procession following the immutable edge. In fact, this romenade is what we encourage; it is what we insert in the building, in a dimensional continuum that seems to dig out an artificial beach, but is actually a continuity of history, because the old El Batel beach was right here, on this very spot. The harbour is artificial, not the beach. This reclaimed beach-ramp gradually submerges us below the waterline, with the piers horizontal line as a constant reference. At this point we cease to belong to the outside world and start to belong to ourselves, ourselves in movement, ourselves strolling, working on the 210 metre scale reserved site for ourselves. We refuse to include the harbours beautiful orthogonal monotony; we exclude the hardness of the port from the interior, and instead, we seek something that is completely the opposite: translucent, delicate, light, aquatic; something that has to do with what Luigi Nono defined as 'a space for water music'. All the material, both aluminium and plastic, is manufactured from a single extruded section, varied in placement and colour to give the appearance of multiple pieces. These pieces are all set parallel to the pier edge to underscore the idea of horizontality and achieve an even longer rectangle than it already is, in this case extruded like a 'churro' (wrinkled doughnut), only on its immediate scale: overall, it seems to be the result of an accumulation of different components, stacked neatly on the pier. The memory of a former use. SITE:25000M2 BUILDING:18500M2


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