Diocese Library, Seminary and Episcopal Administration Buildings
Max Dudler. Münster, Germany
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Name of work in English
Diocese Library, Seminary and Episcopal Administration Buildings
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Name of work in original language
Diözesanbibliothek, Priesterseminar und Verwaltungsbauten BGV Münster
Prize year
EUmies Awards 2007
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Work Location
Münster, Germany
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Studio
Max Dudler
EUmies Awards 2007 Nominees
Collaborators
Program
Education
Completion
2005
The concept is a composition that recreates and reforms the space & the spaces of the trapezoidalshaped site. The 'Überwasser Church of Our Lady' and the Tshaped seminary lie in the centre of the first urban extension of Münster. They form an orthogonal arrangement that stands in visible contrast to the surrounding urban structure. The project offers a clear, ensemblegenerating complement to the existing buildings on the site, counteracting all contrast. The composition of the three new volumes forms varying "voids" & a typical courtyard, a garden, a lane and arcade passages. The library on the west and both of the administration buildings on the east are arranged around the seminarylike guards & the historical orthogonality is, as it were, reinforced and retained in a communicative manner by the volumes, while being more strongly incorporated into the surroundings. Recalling the famous Romanesque complex near Pisa, the building volumes appear to grow out of the rigidly organised open spaces, which, in turn, have been created by the buildings themselves.
The design of the library thematises a likeness with the typology of a bookshelf, whose form, in turn, is related to that of a book. When pursued further, that leads to the arrangement of the lines, of the words and, indeed, of the individual letters. The design of the facade arises therein. Openings with a deep embrasure (analogous to vertical rectangles or, in order to stay with the analogy, the ends of the bookshelves) reflect this typology. Ultimately, the books become almost palpable. The new library and administration buildings are built in sandstone in a similar colour as the church and the seminary, bringing together the parts from different ages. The unity of the facades wrapped around the three cubes like a skin, merges the complex to a harmonious ensemble which architectonically and artistically points out as well the book and its tradition as the place of the church and the theology.