Collective Architectures
Anika Janda, Eduarda Poubel. Kloster Veßra, Germany
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Name of work in English
Collective Architectures
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Name of work in original language
Small-scale buildings as a catalyser for community living
Prize year
Young Talent 2023
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Work Location
Kloster Veßra, Germany
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Author/s
Anika Janda, Eduarda Poubel
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School
TUM School of Engineering and Design - Technical University of Munich.
München, Germany
Young Talent 2023 YT Nominees
Collective Architectures
Small-scale buildings as a catalyser for community living
Program
Urban planning
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Labels
Public Space
In a divided and controversial environment, the proposal tries to understand what the role of architecture in rural and segregated areas is. “Collective Architectures” present 5 beacons, that together form a connecting chain between buildings and residents in the small village of Kloster Veßra, and also reflects on local building traditions.
The demarcating monastery grounds, lack of village life, traffic and Tommy Frenck’s dominance were perceived as particularly problematic. Nevertheless, there is still potential for change. After an urban bedrock has been set, small architectural interventions are proposed. Such typologies are already to be found in Kloster Veßra but are often in precarious condition and show a low influx of people. By acknowledging the importance of such structures, the proposal attempts to improve the quality of life of the residents, as well as to create impulse for neighborly gatherings. The main goal is to create everyday places of encounter that have an identification value and perceive the needs of the villagers. The proposed intervention consists of 5 beacons. Small-scale buildings that work as a catalyser for communal living and together form a connecting chain between the existing buildings as well as the residents. The strategy includes a new bus stop, a tribune, and a rest station alongside the river. The local kiosk is also refurbished, in order to emphasize its political positioning. The barbecue chimney is seen as a community-building element, drawing attention to the kiosk. Such intervention is also rooted in the local tradition of the backhouse, small stone structures which historically served as the only oven in the village, thus being a place of gathering and communal activity. At last, the round pavilion, located in the central square, takes the form of a contemporary dancing linden tree. The Tanzlinde is a regional type of construction, where historically the Kirmestanz takes place. Providing a place for this tradition is an intervention that strengthens the potential of the village in its environment. The pavilion symbolizes the new center of the village and can be appropriated for different kind of activities. By bringing traditional elements back into Kloster Veßra, the proposal hopes to offer alternative concepts to Tommy Frenck’s guesthouse, as well as to reinforce the sense of community inside of the village. To connect instead of segregate is the role of architecture.