Cité du Vin
X-TU architects [anouk legendre + nicolas desmazieres]. Bordeaux, France
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Name of work in English
Cité du Vin
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Name of work in original language
Cité du Vin
Prize year
EUmies Awards 2017
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Work Location
Bordeaux, France
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Studio
X-TU architects [anouk legendre + nicolas desmazieres]
EUmies Awards 2017 Nominees
Collaborators
Program
Culture
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Labels
Museum
Site area
13.644 m²
Total gross floor
12.927 m²
Completion
2016
Cost
55 €/m²
‘This building is free of shape because it is an evocation of the soul of wine between the river and the city.’ A strong architectural statement, La Cité du Vin stands out with its bold curves and shape. An iconic building, this golden frame hosts a Cité within the city, a living space with experiences to discover. The initial aim of the building’s architecture was genuinely to create a link between La Cité du Vin and the spaces surrounding it through perpetual movement. Anouk Legendre and Nicolas Desmazières, the architects from XTU, designed a space shaped by symbols of identity: gnarled vine stock, wine swirling in a glass, eddies on the Garonne. Every detail of the architecture evokes wine’s soul and liquid nature: ‘seamless roundness, intangible and sensual’ (XTU Architects). This roundness transcribed in the building’s exterior can also be felt in its indoor spaces, materials and scale.
The building’s two entrances on either side create an impression of movement, ebb and flow between inside and outside. One entrance faces the city and the other faces the river. Higher up, the viewing tower enables visitors to discover the illuminated city and the surrounding land, almost like a watchtower. In the eyes of XTU, the main tour itself follows these flows: wine, the river, the flow of visitors. You pass through the building like a river, with visitors becoming voyagers flowing around the central staircase, perpetuating this impression of movement. Each person discovers a new world in a fluid, rotating motion leading to an unusual, limitless destination, like a journey through the meanderings of a cultural landscape which feeds the imagination. Downstairs is therefore a dark world, like a cellar, with the roots of the vines. The ground floor is raw as an immersion stage diving into the project, a crossing point. The mirror reflections are disorienting and encourage visitors to move upwards towards the light. There is no fixed route to follow, just worlds to discover.
The wooded arch of the permanent tour, the strongest area of La Cité du Vin, is like a varied sky. The sky is everything in winemaking, determining the harvest. This wooden sky rises, undulates and tightens. Once again, this is all about movement. The wooden structure is reminiscent of a timber frame, of boats, of wine on its travels. It is an immersive break with reality, a world of roundness, fluidity and elevation approximating the wine experience. Visitors are in a discovery mind-set initiated by the architecture, which creates the right conditions for them to discover and complete this immersive, initiatory journey.