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Charleroi Palais des Expositions

AgwA, architecten jan de vylder inge vinck. Charleroi, Belgium

  • Name of work in English

    Charleroi Palais des Expositions

  • Prize year

    EUmies Awards 2026

  • Work Location

    Charleroi, Belgium

  • Studio

    AgwA, architecten jan de vylder inge vinck

EUmies Awards 2026 Architecture winners

  • inner terraced

    inner terraced 'Central Garden'

    © Filip Dujardin

  • View from the slag heap

    View from the slag heap

    © Filip Dujardin

  • Exhibition hall with roof sheds

    Exhibition hall with roof sheds

    © Filip Dujardin

  • City-side entrance

    City-side entrance

    © Filip Dujardin

  • Upper entrance

    Upper entrance

    © Filip Dujardin

  • Inner courtyard and industrial chimneys

    Inner courtyard and industrial chimneys

    © Filip Dujardin

  • plan +1

    plan +1

    © AM architecten jan de vylder inge vinck - AgwA

  • sections

    sections

    © AM architecten jan de vylder inge vinck - AgwA

  • competition drawing

    competition drawing

    © AgwA

  • competition drawing

    competition drawing

    © AgwA

  • competition drawing

    competition drawing

    © AgwA

  • Scale model

    Scale model

    © Filip Dujardin

Renovation of a 1950s convention centre. The stripped central hall transforms into covered urban terraces. Targeted interventions prioritize flexibility and circulation. Demineralization turns black ground into a continuous green park. The building as it was but never seen before.

Authors

architecten jan de vylder inge vinck, AgwA,

Collaborators

Landscape: Denis Dujardin; Interior Design: Doorzon Interieurarchitecten; Building physics: Bureau Greisch; Structure: Bureau Greisch; Fire Safety and Accessibility: Delta GC; Acoustics: progrs; Association of Construction Companies: Bémat-Moury-Koeckelberg-Duchêne
  • Program

    Culture

  • Labels

    Congress Centre · Culture Centre · Exhibition · Dance

  • Site area

    37700 m²

  • Client

    City of Charleroi

  • Total gross floor

    50000 m²

  • Cost

    1075 €/m²

The project explores the potential of this vast volume, situated on sloped terrain, while preserving its extraordinary qualities such as scale, rationality, and monumentality. The aim was to reassess the historical and heritage value of each part of the existing structure, to guide precise decisions on demolition, conservation, and renovation. Architectural interventions aim to be as undesigned as possible. Circulation is being rethought. The project literally invites public space, parking, and landscape to invade the building, while reconnecting the city center with its surroundings.

The brief proposed replacing the central hall with a low-energy building, but the budget was only 1/3 of what was needed. Instead, the center was opened and its façades stripped to create a covered outdoor space, effectively a ‘zero energy’ structure. An atrium was carved through the first floor to connect with the dark ground floor, thus creating a three-level garden at the heart of the project. The south wing was repurposed as a multi-storey car park, further reducing the thermal envelope to the northern volume. Thoughtful demolitions created intelligent solutions, such as a naturally ventilated car parking floor; or the demolition of a damaged concrete slab to turn parking into parc. The slag heap on which the building stands was exposed and seeded with native plants to create an eco-rich landscape. During construction, the demand came to integrate a congress centre. A new balcony was introduced, as if the new project was an opportunity to show the potential of the first.

Respectful reuse guides the project, revealing and enhancing what was already there; a form of architectural archaeology balancing economy, ecology and aesthetics. Architectural interventions are limited to punctual, precise interventions. Current norms are applied, such as doubling the green railings to meet current security standards. Demolished elements are converted into urban furniture. The old concrete was protected with white anti-carbonization paint. Surfaces were repainted in white, or using the color codes of former uses (e.g., green for tennis courts) restoring familiarity and helping people reconnect with the building in its renewed form. Special techniques were limited, natural ventilation welcomed. Materials are durable and straightforward; vegetation low maintenance. The building’s original flexibility is enhanced and projected into the future: it is now an explicit identity of the Palais des Expositions. This renovation is not an end point, but it allows the building to evolve and live anew.


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