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C-Mine Cultural Infrastructure

51N4E. Genk, Belgium

  • Name of work in English

    C-Mine Cultural Infrastructure

  • Name of work in original language

    C-Mine Cultural Infrastructure

  • Prize year

    EUmies Awards 2011

  • Work Location

    Genk, Belgium

  • Studio

    51N4E

EUmies Awards 2011 Shortlisted

  • north facede view on 2 extensions

    north facede view on 2 extensions

    © Stijn Bollaert

  • north facede view on big venue

    north facede view on big venue

    © Stijn Bollaert

  • exterior view on big venue

    exterior view on big venue

    © Stijn Bollaert

  • interior view "turbinehall"

    interior view "turbinehall"

    © Stijn Bollaert

  • interior view: foyer

    interior view: foyer

    © Stijn Bollaert

  • exterior view: small venue

    exterior view: small venue

    © Stijn Bollaert

  • groundfloor plan

    groundfloor plan

  • first floor plan

    first floor plan

C-Mine is a contemporary answer on how to deal with large-scale industrial heritage.

Authors

Peter Swinnen, Persyn Freek, Anrys Johan, Aglaia de Mulder,

Collaborators

Project architect: Aglaia De Mulder; Collaborator (office): Kelly Hendriks, Chris Blackbee, Joost K, Lu Zhang, Tine Cooreman, Aline Neirynck, Tom Baelus, Sotiria Kornaropoulou, Bob De Wispelaere, Jan Das, Philippe Nathan; Others: Bureau Monumentenzorg, ARAT / Philip Baelus; Structural engineering: BAS / Dirk Jaspaert; Others: TTAS, IRS; Acoustical: Daidalos-Peutz
  • Program

    Culture

  • Completion

    2010

The site is located within the 'carbon belt', a coalmine strip stretching as far as the Ruhr area. When mining stopped in the 1980s, the former machinery buildings were left as empty shells until they were reprogrammed into this project for cultural infrastructure. The original T-shaped building, with its dark five-metre-high base, is extended to its maximum footprint, resulting in a deep and fascinating labyrinth-like ground level.

On the first level this extension offers a new piano nobile, punctuated by the two new venues. Five steel tunnels filter the CMine visitors from the main square into the foyer, which is the main distributing space located in the base.

The Turbine Hall and the machine rooms give directly onto the new piano nobile terraces, a continuous open-air field of red and white tiling based on the original flooring, linking old and new in a natural and generous manner.


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