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Brookfield Community and Youth Centre

Hassett Ducatez Architects. Dublin, Ireland

  • Name of work in English

    Brookfield Community and Youth Centre

  • Name of work in original language

    Brookfield Community and Youth Centre

  • Prize year

    EUmies Awards 2009

  • Work Location

    Dublin, Ireland

  • Studio

    Hassett Ducatez Architects

EUmies Awards 2009 Nominees

  • View out to garden

    View out to garden

    © Michael Duffy

  • Children in main hall

    Children in main hall

    © Michael Duffy

  • View on approach

    View on approach

    © ros kavanagh

  • South facing garden

    South facing garden

    © ros kavanagh

  • View of main hall

    View of main hall

    © ros kavanagh

  • Foyer area

    Foyer area

    © ros kavanagh

  • Ground floor Plan

    Ground floor Plan

  • First Floor Plan

    First Floor Plan

Authors

Gráinne Hassett,

Collaborators

Collaborator (office): Sarah Jolley, Claire Crowley, Vincent Ducatez, John Mc Kenna, Michael Duffy, Donal O?Herlihy, Sorcha Higgins, Lindsay Martin, Jerome Breslin; Quantity surveyor: Duffy Gaffney Partnership; Structural engineering: Hanley Pepper; Mechanical: MED Building Services Ltd; Electrical: MED Building Services Ltd; Landscape architect: Stephen Diamond Associates; Construction company: Liam Wall Constrcution Ltd
  • Program

    Social welfare

  • Completion

    2007

This youth community crèche centre building sits in an area of strong social deprivation on an open tract in Tallaght on the edge of Dublin City. Built without civic infrastructure in the 1970's, Tallaght consists predominantly of a low rise low density pattern housing some 70, 000 people. A major regional road is planned for the edge of the site. This is a place of gusting wind, little shelter and degraded suburban housing. Initially the brief required us to build the corner in the manner of a conventional fully urban response. We felt that this response was inadequate to contain the shifting expanse of space which is either experienced by car as one rounds the corner or very slowly on foot in an environmentally uncomfortable environment and so we concentrated instead on tuning up the optical presence of the building in its site.

The building form keeps 'slipping' as one rounds the corner so that it cannot quite be visually comprehended as a finite thing. Being too long and not right angled the mass appears as fluctuating colours and proportions. The panels (masonry, metal, glass) have a strong optical presence given by colour and by changing transparencies depending on the time of day and lights switched on inside rooms which themselves will be coloured. Inside the building the tone changes to introduce warmth. The interior is made with otherwise unfinished basic building materials. Music rooms, games rooms, computer, exercise and work rooms open onto one another as a sequence of fields of colour (metal panels, paint, resin) on the floor, walls and ceiling.

A safe garden is contained on the sunny side between the existing houses on the site and the new building with some scattered forms made by utility stores and planting berms designed to a make human scale. The approach to sustainability relies on common sense low technology rather that artifice. The building benefits from passive solar gain through the large openings on its south side, facing the garden. Heat is embodied in the thermal mass of the concrete enclosure while air is continuously circulated through slots along the perimeter of the façade. The project commenced in 2003 and construction was completed in Autumn 2007. The building is 1900 square metres.


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