Archive

Brockholes Nature Reserve & Visitor Centre

Adam Khan Architects. Preston, United Kingdom

  • Name of work in English

    Brockholes Nature Reserve & Visitor Centre

  • Name of work in original language

    Brockholes Nature Reserve & Visitor Centre

  • Prize year

    EUmies Awards 2013

  • Work Location

    Preston, United Kingdom

  • Studio

    Adam Khan Architects

EUmies Awards 2013 Shortlisted

  • Exterior View

    Exterior View

    © Ioana Marinescu

  • Exterior View

    Exterior View

    © Ioana Marinescu

  • Exterior View

    Exterior View

    © Ioana Marinescu

  • Interior view

    Interior view

    © Ioana Marinescu

  • Interior View

    Interior View

    © Ioana Marinescu

  • interior View

    interior View

    © Ioana Marinescu

  • Plan

    Plan

    © Adam Khan

  • section

    section

Authors

Adam Khan,

  • Program

    Culture

  • Completion

    2011

The master-planning, landscaping and visitor buildings to form a wetland nature reserve on an abandoned gravel quarry in Preston. On the edge of the city and fringed by the River Ribble, the site the accessible site is prone to severe flooding. The client vision is to broaden access, particularly to inspire novices to engage and care for the environment. The design and management outreach programmes with marginalised local communities. Substantial re-profiling of the lakes was undertaken to create habitat conditions; this allowed for the pontoon wet-dock. A cluster of buildings sit on the floating pontoon, giving unlimited flood protection and an intimate experience of the wetland habitats (the reeds will take 5 years to grow). The tall barns and charged spaces between form a matrix of connected rooms with an infrastructural adaptability and an urban vitality. 1440m2 of buildings sit on a 2400m2, 2m deep concrete pontoon, within a 67ha site.

The project achieved BREAAM 'Outstanding' and Arated EPC. Achieved using a highly performing fabric insulation and airtightness and entirely natural ventilation, combining automated and intuitive user controls. The structure uses prefabricated larch timber frames with SIP panels acting as a stressed skin. With the diagonal arrangement this allows the lightening of the frame & exploited to create a spatial net with a strong vertical rhythm. Subtle adjustments of the frame geometry gives a gentle vitality.

Deep-coloured acoustic sprayed insulation gives the calm quiet of a hay-barn. Rough-sawn oak and frameless glazing are used flush to create a haptic marquetry and watery reflections. The tall roofs of rough split oak shakes change colour with the daily weather. The building fabric, shape and construction are intensively co-ordinated to achieve the high level of performance but the work also interrogates wider issues of sustainability &adaptability, longevity, craft, finesse, pleasure and delight.


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