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Borges & Irmão Bank

Álvaro Siza 2 - Arquitecto, SA. Vila do Conde, Portugal

  • Name of work in English

    Borges & Irmão Bank

  • Name of work in original language

    Banco Borges e Irmão

  • Prize year

    EUmies Awards 1988

  • Work Location

    Vila do Conde, Portugal

  • Studio

    Álvaro Siza 2 - Arquitecto, SA

EUmies Awards 1988 Architecture winners

  • © Eugeni Bofill / FRIS

  • © Eugeni Bofill / FRIS

  • © Eugeni Bofill / FRIS

  • © Eugeni Bofill / FRIS

  • Sketch

    Sketch

  • Sketch

    Sketch

  • Site plan

    Site plan

  • Longitudinal Section

    Longitudinal Section

  • Ground floor plan

    Ground floor plan

  • First floor plan

    First floor plan

Authors

Álvaro Siza Vieira,

  • Program

    Office

  • Completion

    1986

The Borges & Irmão Bank is located in the historical centre on an elongated site on Rua 25 de Abril, constituting an exception to the fabric of the other buildings in the street and deliberately contrasting with the immediate surroundings, thereby allowing the bank to establish longdistance relationships with the city's monuments. The building constitutes a kind of crossing of scales, in a relationship simultaneously of dialogue with and distance from the monuments and the urban fabric from which they arise. The bank consists of a main block surrounded by ramps, stairs and access routes. Two corners are curved, which produces the impression not of four, but of two continuous façades. The northwest façade is entirely smooth, with the windows and the marblecladding flush to the white plaster. By contrast, the southeast façade is enlivened by a ramp, a staircase, a large recessed glazed wall, a fully glazed corner at the upper level and a fullheight, transparent lift. The transparency of the wall clearly exposes the system of internal circulation. On the building exterior there is a continuity of marble cladding: on the wall, on the steps and on the sides of the external public staircases. The marble of the public atrium floor, inside the building, extends to the outside. The building has four levels: the lower ground floor, which is also the garden level, the ground floor, the first floor and the roof level, each with its own public entrance. The interior is determined by a series of distorting effects, which offset the static qualities of an orthogonal plan. These include the curvature of the corners, the flow of the public along the counter, which ends against a staircase, the asymmetry of the glazed surfaces, the divergent movements of the ceilings and the different claddings.


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