Archive

Bivouac Fanton

Demogo. Auronzo di Cadore, Italy

  • Name of work in English

    Bivouac Fanton

  • Name of work in original language

    Bivacco Fanton

  • Prize year

    EUmies Awards 2024

  • Work Location

    Auronzo di Cadore, Italy

  • Studio

    Demogo

EUmies Awards 2024 Shortlisted

  • The Bivacco Fanton is positioned in this extreme environment, without mediation: it’s a measured architecture immersed in a boundless space at 2667 meters above sea level.

    The Bivacco Fanton is positioned in this extreme environment, without mediation: it’s a measured architecture immersed in a boundless space at 2667 meters above sea level.

    © Iwan Baan

  • The Bivouac reaches an unstable equilibrium, which is substantiated in the internal space of the project: a wooden belly that softens the impact of wild nature.

    The Bivouac reaches an unstable equilibrium, which is substantiated in the internal space of the project: a wooden belly that softens the impact of wild nature.

    © Iwan Baan

  • Externally, it appears as a rough-hewn volume suspended on a bristling cliff, a waiting body stretched out into the void.

    Externally, it appears as a rough-hewn volume suspended on a bristling cliff, a waiting body stretched out into the void.

    © Iwan Baan

  • The Bivacco Fanton experiences a continuous contrast between suspension from the mountain and physical anchoring to it.

    The Bivacco Fanton experiences a continuous contrast between suspension from the mountain and physical anchoring to it.

    © Iwan Baan

  • The section maintains its strong value in the internal space, becoming its generating element.

    The section maintains its strong value in the internal space, becoming its generating element.

    © Iwan Baan

  • Site Plan

    Site Plan

  • Floor plan

    Floor plan

  • Section

    Section

  • Concept

    Concept

  • Model

    Model

  • IT12_DEMOGO_A2sheet

    IT12_DEMOGO_A2sheet

The Bivouac Fanton has opened up in the architectural debate a new and unexplored imagery towards high altitudes, does not merely seek a functional resolution but seeks to trigger an relationship between man and nature, a deeper relationship that goes beyond the mere satisfaction of a practical need.

Authors

Simone Gobbo, Alberto Mottola, Davide De Marchi,

Collaborators

Collaborator (office) : Fabio Tossutti; Engineering: Franzoso ingegneria; Construction company: Maila’s (Shell construction); Construction company: Dolomwood (Interiors); Construction company: Alpewa – Piller Cottrer (External cladding); Construction company: Aldena (Doors and windows); Construction company: Soprema Group (Insulation); Construction company: Consorzio Disgaggi Padolese (Foundation works)
  • Program

    Food & Accommodation

  • Labels

    Nature · Refuge

  • Client

    CAI – Sezione Cadorina di Auronzo

  • Completion

    2021

The architecture of the Bivacco Fanton is based on the act of inhabiting the oblique space, tracing the line of tension trying to create a new balance to withstand the unfavourable conformation of the mountain. Here man and architecture live in symbiosis the overhang, they inhabit it by resting on it and breathing the hypnotic power of deep space. The complexity and fragility of the Alpine environment are addressed through individual actions. The design and development process of the opera can be traced back to three key issues: anchoring, suspension and habitat. These themes intertwine and recompose in the oblique dimension of the Bivacco: here technical and theoretical aspects have fuelled an aptitude for experimentation at multiple levels. We can find the oblique dimension in the decomposition of the forces on the ground, in the refutation of artificial flat space.

Designing a frontier architecture in an extreme territory deprived of anthropised references allows to focus the attention on the individual dimension of man and his relationship with the landscape. Here the minute spatiality of the architecture is confronted with the enormous scale of the surrounding context: the aesthetic of the new bivouac arises from the landscape, from the lines of tension in the existing orography, emerging as a volume hewn from nature, suspended above the slope. The contradiction between anchoring and suspension lives on an ambivalent relationship that keeps them tied together. The structure finds its balance by leaning on the ground, in a balance that is both firm and perceptively precarious at the same time. The project develops solutions aimed to produce continuity of experience and probe the mixing of protection and risk, nature and artifice, fear and desire that make alpinism so personally involving. The dimension of the bivouac constitutes its inclined habitat, parallel to the ground below pointing downstream. Is an inhabitable telescope that frames the context of the Municipality of Auronzo di Cadore and enhances the landscape.

The project aims to define a design solution that guarantees the lowest possible impact on the mountainous context of the Dolomites while providing a self-sufficient habitat to shelter visitors from the impervious conditions of the outside. The anchoring takes place in 3 points, minimising the building's footprint on the ground and proposing a reversibility of the intervention, with the possible removal of the elevated structure, restoring the ground to its original orographic conditions. The structure doesn't touch the soil but chooses to lean lightly: it is an architecture that doesn't touch the ground but creates a suspension and moves parallel to it, undermining itself and blending into its context. To fulfil the main task of the bivouac, namely to create a thermally comfortable shelter habitat in extreme climatic conditions, it was decided to use a high-performance fibreglass shell derived from the nautical construction. This material allows to merge of the insulation and load-bearing functions into a single element, minimising the weight of the structure and making it easier to transport and assemble at height, reducing the total number of trips required.


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