Archive

Between the Limit and the Trench

Zoi Tzounidou, Elena Mylona, Margarita Zakynthinou-Xanthi. Corinth Canal, Greece

  • Name of work in English

    Between the Limit and the Trench

  • Name of work in original language

    Spatial Correlations in the Corinth Canal

  • Prize year

    Young Talent 2018

  • Work Location

    Corinth Canal, Greece

  • Author/s

    Zoi Tzounidou, Elena Mylona, Margarita Zakynthinou-Xanthi

  • School

    School of Architecture - National Technical University of Athens.
    Athens, Greece

Young Talent 2018 YT Shortlisted

  • Interacting with the Corinth Canal

    Interacting with the Corinth Canal's section

  • Synthesis through experimentation

    Synthesis through experimentation

  • Experiencing the landscape

    Experiencing the landscape

  • Bridge - Swing - Link

    Bridge - Swing - Link

  • Museum - Face to

    Museum - Face to

  • Tower - Submersion - Emersion

    Tower - Submersion - Emersion

  • View inside the Canal

    View inside the Canal

  • Summary panel

    Summary panel

Between the Limit and the Trench
Spatial Correlations in the Corinth Canal

  • Program

    Mixed use - Cultural & Social

  • Labels

    Aggregation · Research · Culture Centre · Exhibition · Museum

The project is about the Corinth Canal, a great human achievement of the 19th century, which has significant cultural and geological value, but today it's falling into oblivion. Through a "3 axes" analysis of the landscape, we aim to create a social, scientific and cultural pole where the visitors face the Canal's real dimensions and history.

A "3 axes" analysis of the landscape was our basic tool in order to draw conclusions and give shape to our proposition. We considered as x axis the one parallel to the Canal axis and as y axis the transversal one which links the two banks. The z axis was very important, as well, because it's the one that links the upper ground level with the water level. Time, as a fourth dimension, is decoded and becomes the content of our intervention. Therefore, we aim to create a pole which concentrates a part of the unique experience of the Canal and gives the chance to the visitor to face its real dimensions and history. As a result, the visitor understands the essence of the landscape through an educative procedure based on observation and introspection. The proposition consists of three entities: a bridge as an exposition about the Canal (swing-link), a building as a museum about its history and geology (face to) and a tower as researchers' space (submersion-emersion). Each one confronts a different cartesian dimension of the three ones which are included in the canal. In this way, we create a network which allows people to experience the Canal's section on different levels and layers. This network is located at a critical spot in the Canal, at its highest point, and it has to face various constructional challenges linked to the Canal's particular morphology and geological consistence. At a larger scale, the project is anchored to existing uses and routes and it is part of a larger network which we design in the area in order to facilitate the access and to promote the exploration of the site and its surroundings. To conclude, this project proposes a strategic planning that does not concern only the local area. The past shows that Greece, despite facing an economic crisis, managed to co-ordinate with the revolutionary spirit of the industrial period and to cope with a great challenge, accomplishing both a great technical and economical feat. So, the proposal re-establishes the vision of a public project that could help Greek economy, while at the same time it would constitute a social, scientific and cultural pole.


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