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Astir Marina Landscape and Public Realm

NEIHEISER ARGYROS. Athens, Greece

  • Name of work in English

    Astir Marina Landscape and Public Realm

  • Name of work in original language

    ΜΑΡΙΝΑΣ ΑΣΤΕΡΑΣ

  • Prize year

    EUmies Awards 2026

  • Work Location

    Athens, Greece

  • Studio

    NEIHEISER ARGYROS

EUmies Awards 2026 Nominees

  • Aerial Overall View of Astir Marina

    Aerial Overall View of Astir Marina

    © George Sfakianakis

  • Waterfront Promenade, with Green Buffer separating the marine edge from the parking lots

    Waterfront Promenade, with Green Buffer separating the marine edge from the parking lots

    © Lorenzo Zandri

  • Shading Pergola, Green Island, and Plaza Grid

    Shading Pergola, Green Island, and Plaza Grid

    © Lorenzo Zandri

  • Aerial View of Hardscape with Grid and Topographic Contours, Green Islands, Water Feature, and Steps

    Aerial View of Hardscape with Grid and Topographic Contours, Green Islands, Water Feature, and Steps

    © George Sfakianakis

  • Olive Tree mound at central plaza, with contour line in foreground

    Olive Tree mound at central plaza, with contour line in foreground

    © Lorenzo Zandri

  • Detail of Hardscape, Contour Lines formed from Marble Offcuts, Grid from Portuguese Pavers

    Detail of Hardscape, Contour Lines formed from Marble Offcuts, Grid from Portuguese Pavers

    © Lorenzo Zandri

  • Axonometric - Zoom Detail at Central Plaza and path to Hotel

    Axonometric - Zoom Detail at Central Plaza and path to Hotel

    © Neiheiser Argyros

  • Overall Axonometric

    Overall Axonometric

    © Neiheiser Argyros

  • Zoom Axon of Key Elements - Waterfront shared surface, grid, contours, and green islands

    Zoom Axon of Key Elements - Waterfront shared surface, grid, contours, and green islands

    © Neiheiser Argyros

  • Section through Windward Pier showing Green Buffer between Waterfront Promenade and Car Parking

    Section through Windward Pier showing Green Buffer between Waterfront Promenade and Car Parking

    © Neiheiser Argyros

  • Exploded Axonometric showing different systems and elements of the Landscape Design

    Exploded Axonometric showing different systems and elements of the Landscape Design

    © Neiheiser Argyros

  • Concept Plan showing various forces at play on the site that influenced the design

    Concept Plan showing various forces at play on the site that influenced the design

    © Neiheiser Argyros

The landscape design is a giant territorial map, revealing both the site’s layered history and the contemporary forces shaping it. Instead of the usual hard infrastructure found in most marinas, our design envisions a softer, greener waterfront: a pedestrian realm of native grasses, shrubs, and trees.

Authors

RYAN NEIHEISER, XRISTINA ARGYROS,

Collaborators

Collaborator (office): Simon Rackham - SRLA
  • Program

    Landscape

  • Labels

    Gardens & Parks · Structure · Regeneration · Land art · Facilities

  • Site area

    60000 m²

  • Client

    Astir Marina Vouliagmenis S.A.

  • Total gross floor

    60000 m²

Located on the southern coast of Athens, the 6-hectare Astir Marina is a new waterfront development providing 60 berths, retail, restaurants, and marina amenities. The design reinterprets the marina as a layered territorial map, integrating historic contours, marine ecologies, and engineering data to generate its topography and spatial logic. Native planting and coastal ecologies define a soft, shaded waterfront of pedestrian routes, connecting people to the water and softening the marina’s hard edges. The result is a hybrid environment — a waterfront park that also happens to be a marina — where landscape, ecology, and infrastructure are conceived as one continuous system.

One way to approach designing the artificial landscape of a marina is as a blank site—a tabula rasa—but in reality, the sea conceals complex ecosystems continuous with the visible ground and hidden just below the water. We explored ways of representing this submerged landscape, drawing inspiration from nautical maps with topographic contours—traces of terrain projected onto a flat surface. Using World War II aerial scans, we mapped the site’s original beaches, coves, islands, and seabed topography, layering these historic contours onto the new engineered land of the marina to create a compelling graphic framework for the project. Another key driver was our analysis of existing marinas, which are often harsh, infrastructural spaces dominated by concrete and cars. For Astir Marina, we relocated primary parking to the rear of the site, behind a green buffer of planted mounds—an archipelago of “green islands” that softens the relationship between public space, landscape, ecology, and marina infrastructure.

There are four main elements to the design - a 2m grid, the historic contour lines, the green islands, and the retaining wall at the back of the site. 1) Grid: Rotated 23 degrees to align with the central basin, this site-wide grid uses a material hierarchy—honed basalt stone near retail buildings, Portuguese pavers at the waterfront promenade, and two-colored asphalt for roads—creating shared car-pedestrian surfaces that minimize kerbs and prioritize walkability. 2) Contours: Marble offcuts from nearby quarries form contour lines mapping the historic seabed topographic lines. Polished smooth like terrazzo on the main plaza and left rougher elsewhere, they create a striking graphic contrast against the ordered grid. 3) Green Islands: Lush planted mounds act as green buffers that separate cars from the water's edge, transforming the harsh marina environment into a pleasant waterfront public realm. Each three-dimensional mounded island has a unique geometry, creating a surreal new topography and immersive public landscape. 4) Retaining Wall: Gabion walls with stratified stones (smallest to largest, bottom to top) form terraced habitats along the 4-6m slope. Inspired by Greek agricultural walls, they retain earth and shape paths that link the adjacent hotel to the marina while supporting local wildlife.


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