Archive

Archeopark Pavlov

architektonická kancelář Radko Květ. Pavlov, Czechia

  • Name of work in English

    Archeopark Pavlov

  • Name of work in original language

    Archeopark Pavlov

  • Prize year

    EUmies Awards 2017

  • Work Location

    Pavlov, Czechia

  • Studio

    architektonická kancelář Radko Květ

EUmies Awards 2017 Nominees

  • Eastern elevation: finished museum. Medieval castle „Děvičky“ in the background

    Eastern elevation: finished museum. Medieval castle „Děvičky“ in the background

    © Gabriel Dvořák

  • A bird

    A bird's-eye view: Archeopark in the foreground, Pavlov village and medieval castle „Děvičky“ in the background

    © Aleš Jungmann

  • Inside view of the main underground space just after being built (view from the entrance)

    Inside view of the main underground space just after being built (view from the entrance)

    © Gabriel Dvořák

  • Inside view of the main underground space including the permanent exhibition. A mammoth tusk display stand in the foreground (view from the entrance)

    Inside view of the main underground space including the permanent exhibition. A mammoth tusk display stand in the foreground (view from the entrance)

    © Gabriel Dvořák

  • Inside view of the exhibition focused on topography of the archaeological sites

    Inside view of the exhibition focused on topography of the archaeological sites

    © Gabriel Dvořák

  • Siteplan

    Siteplan

  • Floorplan

    Floorplan

  • Section

    Section

  • Section

    Section

  • Section

    Section

  • Final model

    Final model

  • Visualization

    Visualization

  • Visualization

    Visualization

For many decades now, excavations at the complex of Palaeolithic (the period of mammoth hunters) settlements have unearthed a huge number of stone and bone tools and artwork, as well as the skeletal remains of anatomically modern humans. This puts Pavlov and Dolní Věstonice high on the list of the world’s leading archaeological sites.

Authors

Radko Květ, Pavel Pijáček,

Collaborators

Architect: Barbora Fišerová, Jiří Zrzavý, Lukáš Gergela, Verena DickMann, Jiří Markevič, Klára Michálková, Radek Sládeček, Lucie Surá, Richard Mátl; Collaborator (office): Renata Košťálová; Building physics: Pavel Hladík, Martin Lukšo; Building technology: Jiří Beránek, Kateřina Stratilová, Zdeněk Fišer; Electrical: Vítězslav Valášek, Jiří Sklenář; Climatisation: Aleš Rubina, Hana Dvořáková; Building technology: Radomír Kaisler; Engineering: Saker Kalany; Landscape architect: Václav Babka; Fire consulting: Ludmila Plagová; Engineering: Jiří Matula, Jitka Krejčíková, Jaroslava Konečná
  • Program

    Culture

  • Labels

    Archaeology · Museum

  • Site area

    17.899 m²

  • Client

    Regional Museum in Mikulov

  • Total gross floor

    1.134 m²

  • Completion

    2016

  • Cost

    2.1 €/m²

This outstanding and attractive architecture and exhibition covers an area in excess of 500 m2 and combines contemporary audiovisual technology with traditional museum displays. It allows the public to become acquainted with the most important discoveries that scientific research has uncovered here. In addition to photographs and documents that detail the history of the various digs at these sites, the museum will also display the actual finds and explain the spiritual world of these ancient people. Special emphasis will be placed on topics such as hunting, the everyday life of hunters, their art, and their burial rituals, as well as other aspects of their world. The Archeopark may well become an attractive destination for culturally inclined tourists and integrate well with the region’s current tourist infrastructure.

The Archeopark has a delicate location in the sense of broader urbanistic considerations. It is located on the border between the village boundary and the open countryside and forms part of the Pálava hills’ impressive scenery. The majority of the construction is situated underground, with just the white concrete towers projecting above ground. The intention is for the building to be reminiscent of the shape of a cave. The architectonic solution is based on the location’s conditions and formed according to three principal aspects: 1. The construction site is part of a national cultural monument, limiting construction to the area already archaeologically excavated and researched, with the only exception being the “in situ” exposition. 2. We assumed the archaeological excavations are located 4–5 meters under the current terrain. 3. The construction site is part of a protected landscape area (PLA).Based on these aspects, the concept of an underground construction arose together with the loose paraphrase of “limestone rocks standing out from green meadows and vineyards”.

The museum itself is a reinforced monolithic building made from relief concrete in a watertight system. The sharply shaped ceiling is supported by the walls and towers with no additional support required. The complexity of the shapes is exceptional, and unusual sandwich construction structures are used for the elements projecting above the ground. The “in situ” exposition presents the preserved waste hole of mammoth bones following the archaeological research conducted in 2014. We were forbidden from intervening in locations where future archaeological research may be conducted. Once the general research had been carried out, the waste hole was covered with a layer of sand and shielded by a temporary wooden construction that was later replaced by bracing walls and a foundation system. The protective sand layer was only removed once the building of the museum was completed.


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