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Acropolis Museum

Bernard Tschumi Architects. Athens, Greece

  • Name of work in English

    Acropolis Museum

  • Name of work in original language

    Acropolis Museum

  • Prize year

    EUmies Awards 2011

  • Work Location

    Athens, Greece

  • Studio

    Bernard Tschumi Architects

EUmies Awards 2011 Architecture finalists

  • 1. East facade of the Acropolis Museum

    1. East facade of the Acropolis Museum

    © Christian Richters

  • 2. The Archaic Gallery

    2. The Archaic Gallery

    © Peter Mauss/Esto

  • 3. The Parthenon Gallery

    3. The Parthenon Gallery

    © Nikos Daniilidis

  • 4. Entrance to the Acropolis Museum

    4. Entrance to the Acropolis Museum

    © Christian Richters

  • 5. Archaeological excavations underneath the Museum entrance at night

    5. Archaeological excavations underneath the Museum entrance at night

    © Peter Mauss/Esto

  • 6. The Acropolis Museum at night, with the Acropolis seen above

    6. The Acropolis Museum at night, with the Acropolis seen above

    © Peter Mauss/Esto

  • 7. Exploded axonometric sketch

    7. Exploded axonometric sketch

    © Bernard Tschumi Architects

  • 8. Transversal Section

    8. Transversal Section

    © Bernard Tschumi Architects

  • Longitudinal section

    Longitudinal section

  • Site Plan

    Site Plan

  • Ground foor plan

    Ground foor plan

  • Lower floor plan

    Lower floor plan

  • Exploded photo collage

    Exploded photo collage

  • photo collage

    photo collage

Authors

Bernard Tschumi,

Collaborators

Architect: Michael Photiadis, ARSY; Structural engineering: ADK and Arup, New York; Mechanical: MMB Study Group A.A. and Arup, New York; Civil, soil and survey: Michanniki Geostatiki and Arup, New York; Lighting: Arup, London; Construction: Aktor; Project architect: Joel Rutten, Costis Skroumbelos
  • Program

    Culture

  • Completion

    2009

Located at the foot of the Acropolis, the site for the museum presented sensitive archeological excavations; the contemporary city and its street grid; and the Parthenon itself. As a result of these existing conditions as well as the specific needs of each part of the programme, the building was articulated into a base, middle and top. The base of the museum floats on pilotis over the existing excavations, protecting the site with a network of columns placed in careful negotiation with experts.

This level contains the entrance lobby as well as temporary exhibition spaces, an auditorium, and support facilities. A glass ramp overlooking the excavations leads to the galleries in the middle in the form of a doubleheight room supported by tall columns aligned to the trapezoidal city block. The top, which is made up of the rectangular Parthenon Gallery arranged around an interior court, rotates to orient the marbles of the Frieze exactly as they were at the Parthenon centuries ago. The design is inherently sustainable as the hot climate of Athens required innovation from the beginning, and the materials are resilient and mostly local; concrete and marble were sourced from the region.

Glass is a key part of the design, bringing natural light into the space and providing transparency. Sun protection is provided by cantilevering floor slabs all around the building, especially on the south side, which prevents most direct sunlight from reaching the facades. The lower level facades are made of a precast concrete screen that filters the light inside while providing a strong thermal mass. The facade for the middle part is entirely glazed on the south and north sides and made of large opaque fins on the east and west sides to offer protection from the low setting and rising sun. On the south side, fritted exterior glass fins stiffen the facade and also act as a brise-soleil. A double ventilated facade, high performance film and fritted double glazed panes reduce heat gain while the air gap between the two envelopes is ventilated by convection, which cools the facade without dedicated air conditioning and recycles the cooled air of the gallery.


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