Archive

  • Name of work in English

    Accessibility project for the Heritage Park of Ceto, Cimbergo and Paspardo (UNESCO Site n.94)

  • Name of work in original language

    Progetto di accessibilità per la Riserva Naturale delle Incisioni di Ceto, Cimbergo e Paspardo (Sito UNESCO n.94)

  • Prize year

    EUmies Awards 2019

  • Work Location

    Paspardo, Italy

  • Studio

    Babau Bureau, Elisa Brusegan

EUmies Awards 2019 Nominees

  • Photo: the shape and the sound of the bell signalize the carved rock

    Photo: the shape and the sound of the bell signalize the carved rock

    © Babau Bureau + Elisa Brusegan

  • Photo: a bell in the forest

    Photo: a bell in the forest

    © Filippo La Duca

  • Photo: it’s a curious sculpture or something else?

    Photo: it’s a curious sculpture or something else?

    © Filippo La Duca

  • Photo: near the bell the sound is clear

    Photo: near the bell the sound is clear

    © Filippo La Duca

  • Photo: from here you can listen a beat

    Photo: from here you can listen a beat

    © Filippo La Duca

  • Photo: it’s a long sign in the landscape which gives you some touch sensations/vibrations

    Photo: it’s a long sign in the landscape which gives you some touch sensations/vibrations

    © Babau Bureau + Elisa Brusegan

  • Photo: different material means different geometry

    Photo: different material means different geometry

    © Babau Bureau + Elisa Brusegan

  • Photo: the entrance of the park with a triangular pavilion

    Photo: the entrance of the park with a triangular pavilion

    © Babau Bureau + Elisa Brusegan

  • Photo: detail of the carved handrail. The Cooperativa Il Cardo made this, as a partecipative piece of art

    Photo: detail of the carved handrail. The Cooperativa Il Cardo made this, as a partecipative piece of art

    © Babau Bureau + Elisa Brusegan

  • Photo: detail of the concrete bell. While the sound is diffusing the bell is vibrating

    Photo: detail of the concrete bell. While the sound is diffusing the bell is vibrating

    © Babau Bureau + Elisa Brusegan

  • Drawing: project plan and section

    Drawing: project plan and section

    © Babau Bureau + Elisa Brusegan

  • Drawing: axonometric detail

    Drawing: axonometric detail

    © Babau Bureau + Elisa Brusegan

  • Drawing: photographic collage

    Drawing: photographic collage

    © Babau Bureau + Elisa Brusegan

  • IT07_Babau Bureau+Elisa Brusegan_A2 sheet_low

    IT07_Babau Bureau+Elisa Brusegan_A2 sheet_low

    © Babau Bureau + Elisa Brusegan

The aim of the project is to improve the accessibility to the historiated rocks of the UNESCO site n.94 in the municipality of Paspardo. With this pretext, the intervention aims to increase the perception of the landscape and archaeological heritage by offering itself as a useful communication tool for all types of users.

Authors

Elisa Brusegan, Marco Ballarin, Stefano Tornieri, Massimo Triches,

Collaborators

Architect: Luisina Mainero (Babau Bureau), Riccardo Modolo; Consulting: Marco Milzani (Cooperativa Il Cardo), Giovanni Bonomelli, Simone Albertoni; Promoter: Marco Lanzetti (Riserva Naturale delle Incisioni Rupestri di Ceto Cimbergo e Paspardo), Sergio Cotti Piccinelli; Construction: Lara Zana (Ducom Design), Carlo Piccinelli
  • Program

    Landscape

  • Labels

    Facilities · Gardens & Parks

  • Site area

    4200 m²

  • Client

    Comunità Montana di Valle Camonica

  • Total gross floor

    200 m²

  • Completion

    2017

The project is part of a wooded area along the highway SP88, a natural terrace overlooking the Camonica valley. This place, named the first UNESCO site in Italy, is home to numerous significant historical rocks. In order to make the area accessible to everyone and, at the same time, to integrate the new elements harmoniously with the natural context, the intervention exploits the topography forming a continuous ribbon about 80 meters long. This structure guides the visitor from the parking lot, near which it’s located a triangular stone pavilion, to the first and most significant rock. In this place the ribbon modifies its shape becoming a sound device that, recalling the ancestral sounds of the incisions, signals the presence of the rock.

The main idea of the project raises from two different points: from one side it aims to overcome the common division between abled and disabled users; on the other, it reflects on the ability to transmit information in the field of cultural and landscape heritage. In this sense, the intervention not only makes the area accessible to all (disabled, elderly, children, etc.) but it is intended as a device capable of interacting with the individual perception in order to generate sensations and emotions useful to fix the memento of place and experience in the visitor’s memory. For this reason, the structure stimulates multiple human senses: the sight, the hearing through an analogue sound reproduction device, and the touch through the vibrations diffused by the structure, the changes of coating material and the special carved tiles. The device allows new and multiple experiences of the place, while all the general information is presented inside the pavilion at the entrance.

From the beginning the project develops itself in synergy with the local community, through the use of resources, materials, skills and crafts typical of the Valcamonica territory. Some preliminary surveys, carried out together with the Cooperative “Il Cardo”, have made it possible to identify the main problems of accessibility and perception, for elderly and people with disabilities, that the intervention, in its simplicity, has tried to eliminate. In order to encourage community participation in the project it was organized a workshop, in collaboration with Il Cardo, for the design of the concrete tiles that cover the structure. These are drawings that reinterpret the ones on the engraved rocks and, at the same time, personalize the structure making it a tactile device. The structure, formally very simple but articulate in its functioning, was realized thanks to the skill of local artisans who took care of building the metal support, fabricating the cladding tiles, creating the cement bell and the analogic sound mechanism.


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