Archive

  • Name of work in English

    Access pavilion to the Artemision excavations, Siracusa, Italy

  • Name of work in original language

    Padiglione di accesso agli scavi dell’Artemision, Siracusa, Italia

  • Prize year

    EUmies Awards 2013

  • Work Location

    Siracusa, Italy

  • Studio

    Vincenzo Latina

EUmies Awards 2013 Nominees

  • View of the facades on Via della Minerva

    View of the facades on Via della Minerva

    © Lamberto Rubino

  • Entrance hall, threshold of the pavilion

    Entrance hall, threshold of the pavilion

    © Lamberto Rubino

  • View of the entrance pavilion to the excavations from Via Minerva

    View of the entrance pavilion to the excavations from Via Minerva

    © Lamberto Rubino

  • Overall view of the excavations inside the pavilion and the exhibit itinerary

    Overall view of the excavations inside the pavilion and the exhibit itinerary

    © Lamberto Rubino

  • View of the hall inside the pavilion and the wooden facing

    View of the hall inside the pavilion and the wooden facing

    © Lamberto Rubino

  • View of the corner column of the Doric temple, incorporated in the cathedral, from inside the pavilion of the Artemision

    View of the corner column of the Doric temple, incorporated in the cathedral, from inside the pavilion of the Artemision

    © Lamberto Rubino

  • Site plan

    Site plan

  • Relationship between the cathedral and space inside the pavilion of the Artemision in the section

    Relationship between the cathedral and space inside the pavilion of the Artemision in the section

Authors

Vincenzo Latina,

Collaborators

Project architect: Silvia Sgariglia; Consulting: Giuseppe Voza; Collaborator (office): Rossella D Angelo, Vincenzo Mangione, Luca Sipala, Cristina Speranza, Fabio Tantillo; Structural engineering: Nicola Impollonia; Lighting: Sirgen srl, Floridia
  • Program

    Culture

  • Completion

    2012

In the past, it was common practice to build with and on the remains of ancient buildings, and architecture attempted only to delay the ultimate, inevitable loss of buildings. The creation of a 'little' pavilion building puts emphasis on the important area preserved by the municipal building s basement, the Ionian temple in the heart of the Ortigia Island, where the Acropolis of the ancient city once stood, some Sicilian huts of the Late Bronze Age and the crypt of the S. Sebastianello s church, puting archeology as active material of architecture. The project create a connection between the city and the "buried" area of excavation, now unknown.

The materials and interior lighting of the pavilion has been interpreted as a contemporary evocation of a hypogeum. The building is spread over an area of 200 meters, and the underground interested 1000 meters of surface. The frametype costruction of the pavilion does not rest directly on archaeological site but on elastic bearing that required the creation of structural seismic joint detaches the building from the ground and gives the compact mass of the building a sense of levitation. The pavilion create a sense of urban cohesion that reintroduces continuity to the façades on Piazza Minerva, "dressed" by a homogeneous layer of limestone blocks.

The outer cladding of the building is characterized by a few emphatic texture walls, a masonry surface that recalls a medieval or Catalan type of construction. This means that the Piazza Minerva front is in a sense 'silent', listening to the sounds that come from the stunning monuments around it. The only accent is a vertical cut in the wall, which acts as a direct visual and spatial link between the remains of the Ionian temple and the corner s column of Athena s temple.


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