Archive

1896 - 2016 Cinemas of Madrid

Sofia Lens Bell. Madrid, Spain

  • Name of work in English

    1896 - 2016 Cinemas of Madrid

  • Name of work in original language

    An analysis of the past and future of the cinema typology in Madrid

  • Prize year

    Young Talent 2018

  • Work Location

    Madrid, Spain

  • Author/s

    Sofia Lens Bell

  • School

    Madrid School of Architecture - Polytechnic University of Madrid.
    Madrid, Spain

Young Talent 2018 YT Nominees

  • "1896 - 2016 Cinemas of Madrid"

    "1896 - 2016 Cinemas of Madrid"

  • Historical cartography of Madrid

    Historical cartography of Madrid's cinemas, 1896 - 2016

  • The creation of Madrid

    The creation of Madrid's cinematographic identity, 1896 - 2016

  • Typological and urban analysis of Madrid

    Typological and urban analysis of Madrid's cinemas

  • Proposal #1: The nickelodeon

    Proposal #1: The nickelodeon

  • Proposal #3: The Gran Via Movie Palace

    Proposal #3: The Gran Via Movie Palace

  • Proposal #2: The Neighbourhood cinema

    Proposal #2: The Neighbourhood cinema

  • "1896 - 2016, Cinemas of Madrid"

    "1896 - 2016, Cinemas of Madrid"

1896 - 2016 Cinemas of Madrid
An analysis of the past and future of the cinema typology in Madrid

  • Program

    Mixed use - Cultural & Social

  • Labels

    Aggregation · Architecture · Archives · Cinema · Culture Centre

The project proposes an architectural archive of the cinemas of Madrid: a living archive understood as a productive space, hardly based on the historical preservation of certain buildings and the re-activation of their urban context as much as on the will to provide tools for architectural disruption within the city’s spaces dedicated to cinema.

My approach to architectural preservation begins on a thought on an urban, social level, regarding the cinemas of Madrid as a whole. I wanted to think of the city as a sort of living archive that works as a witness of its own’s inhabitants way of life. And as an archive, it is only truly alive when the elements it preserves have the ability to be apprehended by a user, giving it new meaning and purpose. Somehow these buildings -as objects- should be kept, but as social phenomena, they should also be accessed, activated, performed… My project brings up the necessary architectural conditions to bring these cinemas back to life. Every case study is approached differently, according to the building’s current state and use. The timber nickelodeon shack, the neighbourhood cinemas and second-run theatres, the Gran Via movie palace, the cinemathèque, the adult grindhouse, the suburbian multiplex: the main idea was to study each of the cinemas and their urban context and break down the key elements in the various cinema typologies in Madrid to rearrange them and recreate some of the architectural situations and urban relations that had taken place many years before. A low- tech, ephemeral itinerant pavilion roaming the streets of Tetuán passes by a high-tech, futuristic livable façade grown on an existing building. The people living on the new 21st Century housing on top of the rental cinema spend the afternoon at the retail megachain flagship stores on Gran Via’s cinema palaces. The lonely cinema freak and office junkie meet at the 24/7 cinemathèque tunnel burger joint, while only next door, an adut film is shown on the inflatable sauna’s screens. Almost outside the city, suburban kids drive their bikes to the pop-up multiplex event for the grand release of an action movie. Through plans, sections, maps and technical drawings I have tried to give Madrid’s cinemas a way of survival into the challenging future that awaits them; but I have also hoped to give the people of Madrid the tools for the transformation of the city’s spaces as they are today. An entrance to an architectural archive of their own.


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